The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
106
Thomas Hearne, 1744–1817, British
Leeds Castle, Kent
undated
107
Thomas Hearne, 1744–1817, British
River Landscape with Figures
undated
108
Thomas Hearne, 1744–1817, British
View from Skiddaw over Derwentwater
between 1772 and 1782
109
William James Muller, 1812–1845, British
A Castle Above an Estuary
ca. 1831
110
Robert Hills, 1769–1844, British
Reminiscence of Gainsborough
undated
111
John Henry Mole, 1814–1886, British
View from Craig-y-Barns, Dunkeld, Looking South
1855
112
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
113
Michael "Angelo" Rooker, 1746–1801, British
Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
undated
114
unknown artist
Landscape with Lake and Figures on a Rocky Road
1777
115
John Linnell, 1792–1882, British
Mountain View in North Wales
1813
116
attributed to John Middleton, 1826–1856, British
Woodland Scene with a Path Across a Stream
undated
117
Henry Monro, 1791–1814, British
A Wooded Track
1813
118
Jacob More, 1740–1793, British
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
119
Print made by Robert Sargent Austin, 1895–1973, British
Plane Tree Cottage
1926
120
Print made by Sir Muirhead Bone, 1876–1953, British
Stirling Castle, No. 2
1909
121
Print made by Thomas Shotter Boys, 1803–1874, British
Buckingham Palace from St. James's Park
1842
122
Thomas Hearne, 1744–1817, British
A Rustic Scene
undated
123
William P. Sherlock, c.1780–1850
The Rape of Persephone
undated
124
Paul Sandby, 1731–1809, British
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
125
Print made by J. Widnell, Active 1795, British
Matlock
1795
126
Print made by James Walker, 1748–1808, British
Wakefield
1798
127
Print made by James Walker, 1748–1808, British
Sheffield
1798
128
Print made by Samuel Rawle, 1771–1860, British
South West View of Dunster Castle, Somersetshire
1800
129
William Simpson, 1823–1899, British
The River Chenab, Punjab
1865
130
John Linnell, 1792–1882, British
Widecombe Village
undated
131
Edward Vulliamy, 1876–1962
Cambridge from Coe Fen
1917
132
John Warwick Smith, 1749–1831, British
The Hermitage at Frascati
undated
133
John Warwick Smith, 1749–1831, British
Convent at Vietri, near Salerno
1808
134
Frederick Calvert, ca. 1785–1845, Irish
Undercliff, Isle of Wight
undated
135
James Baker Pyne, 1800–1870, British
Figures on a Cliff Path near Dover
1839
136
unknown artist
Lake Maggiore
ca. 1850
137
attributed to Michael "Angelo" Rooker, 1746–1801, British
Carisbrooke Castle, Isle of Wight
undated
138
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
139
Henry Morton, ca. 1807–1825, British
Windmill on the Sea Coast Near Hastings
undated
140
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
A Path on a Hilltop
undated
141
George Shepheard, ca. 1770–1842, British
A Regency House
ca. 1820
142
John Warwick Smith, 1749–1831, British
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
143
Print made by Jean B. C. Chatelain, 1710–1771, French
Classical Landscape with Travellers, a Dog and House on the left
1741
144
Print made by George Shaw, born 1966, British
Twelve Short Walks 02
2005
145
Print made by George Shaw, born 1966, British
Twelve Short Walks 04
2005
146
Charles Conway, active 1850s, British
Winter
1855
147
Gaynor Chapman, 1935–2000, British
Country Walks: The Naturalist
1963
148
Print made by John Bluck, active 1791–1831, British
Clare Hall
1814
149
Bernard Sickert, 1863–1932, British, born in Germany
Excavation
1923
150
John Varley, 1778–1842, British
The Plains of Marathon
1834
151
Robert Tavener, active 1958, British
Country Walks: Summer
1958
152
John Warwick Smith, 1749–1831, British
Craig y Ladron - The Thieves Precipice
1797
153
Anthony Vandyke Copley Fielding, 1787–1855, British
Landscape with Limekiln
1809
154
Thomas Gainsborough, 1727–1788, British
Country Lane with Gypsies Resting
between 1760 and 1765
155
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Shepherd and Sheep
between 1765 and 1770
156
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Figures, Donkeys and Cottage
ca. 1767
157
Thomas Gainsborough, 1727–1788, British
Travellers on Horseback Approaching a Village with a Spire
between 1765 and 1770
158
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
159
Sir Richard Colt Hoare, 1758–1838, British
The Isola Farnese
undated
160
Robert Hills, 1769–1844, British
A Lane, Great Borside
ca. 1833
161
John White Abbott, 1763–1851, British
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
162
Henry Edridge, 1769–1821, British
St. Alban's Abbey
1805
163
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Figures and Houses on the Hill
undated
164
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
undated
165
Thomas Gainsborough, 1727–1788, British
Open Landscape with Figures, Cows and Cottage
between 1785 and 1788
166
unknown artist, eighteenth century
A Georgian Mansion, front and side elevations
ca. 1790
167
Joseph Edward Southall, 1861–1944, British
At the Cottage Gate, July 16, 1906
1906
168
David Cox, 1783–1859, British
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
169
Print made by Matthew Dubourg, active 1786–1838, British
Pheasant Shooting
1822
170
Print made by John Robert Cozens, 1752–1797, British
Ariccia
between 1783 and 1789
171
Henry Thomas Alken, 1785–1851, British
"The National Sports of Great Britain," 1821: Owling
1821
172
Samuel Henry Gordon Alken, 1810–1894, British
Foxhunting: Hunt Servants Leading Out Hounds
undated
173
Francis Bedford, 1816–1894, British
Gibeon, El Jib, Palestine
1862
174
Hablot Knight Browne, 1815–1882, British
"You're Not Going to Follow, Belle, Are You?"
undated
175
Henry Thomas Alken, 1785–1851, British
Foxhunting: Gone Away
undated
176
Henry Thomas Alken, 1785–1851, British
Foxhunting: The Death
undated
177
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
178
Walter Paris, 1842–1906, British
A Cricket Match of the Royal Marine Artillery, London
1888
179
William Anderson, 1757–1837, British
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
180
William Gauci, active 1825–1854, British
Dundry Tower, Leigh Wood, Hotwell House, Clifton
undated
181
Herbert Clarke Simpson, 1879–1966, Australian
Landscape of Dayboro, Queensland
1947
182
Attributed to Thomas Creswick, 1811–1869, British
A Country Lane with Cottages
undated
183
John Warwick Smith, 1749–1831, British
The Val d'Aosta, Piedmont
1784
184
John Warwick Smith, 1749–1831, British
The Northern Boundary of St. Bride's Bay
1792
185
John Warwick Smith, 1749–1831, British
Salerno
1764-1831
186
Peter DeWint, 1784–1849, British
Harvest Time
undated
187
Peter DeWint, 1784–1849, British
By the Wayside
undated
188
pupil of Peter DeWint, 1784–1849, British
Near Matlock
undated
189
James Adam, 1732–1794, Scottish
Landscape with River and Figures
undated
190
John Robert Cozens, 1752–1797, British
Ariccia
ca. 1783
191
Rev. William Gilpin, 1724–1804, British
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
192
Anthony Devis, 1729–1817, British
Estuary with Castle and village
undated
193
Joshua Cristall, 1768–1847, British
Young Woodcutter
1818
194
Joshua Cristall, 1768–1847, British
Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire