Genre: landscape / Work Type: intaglio print / Width [cm]: 34 - YCBA Collections Search Search Results

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Print made by Charles Turner, 1774–1857, British

Norham Castle, on the River Tweed

1824

Print made by Sir Frank Short, 1857–1945, British

View of a Lake, Derwentwater

1896

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1821

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

Print made by B. R. Davies, active ca. 1833, British

Mount Blanc

1828

Print made by Robert Sargent Austin, 1895–1973, British

The Cathedral, Palma

1928

Print made by George Cooke, 1781–1834, British

Florence from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Thomas Girtin, (etching), 1775–1802, British

The Watermill Above the Bridge at Charenton

1803

Print made by John Landseer, 1769–1852, British

Alum Bay and the Needles

1799

Engraved by John Pye, 1782–1874, British

Pope's Villa

1810

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Sound

1821

Print made by William Richardson, active 1842–1877, British

The Roman Forum from the Tower of the Capitol

1818-1820

Jonathan Girtin, ca.1780–aft.1820

Coastal Scene

undated

Print made by William Miller, 1796–1882, British

Palace of La Belle Gabrielle

1828-1837

Print made by Letitia Byrne, 1779–1849, British

Farm Scene

undated

Print made by John Sell Cotman, 1782–1842, British

Castle at Tancarville

1821

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Sound

1823

after Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)

Twelve Original Views in Italy

1776

Jake Chapman, born 1966, British

Untitled

1999

Print made by William Miller, 1796–1882, British

Skiddaw

1834

Print made by Letitia Byrne, 1779–1849, British

Oxford

undated

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1823

Print made by F. A. du Peyron, 1887–1930, American

Clearing Winds

1929

Robert Charles Goff, 1837–1922, British

Cascine, Florence

1906

Sir Francis Seymour Haden, 1818–1910, British

The Two Sheep

1870

Sir Francis Seymour Haden, 1818–1910, British

An Essex Farm

1874

Sir Francis Seymour Haden, 1818–1910, British

Encombe Woods, no. 2

1881-1882

Print made by Richard Earlom, 1743–1822, British

A Landscape, with the Story of Europa

1802

Print made by Ernest Stephen Lumsden, 1883–1948, British

Thikse, from the East

1922

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1820

Sir Francis Seymour Haden, 1818–1910, British

The Lark at Heaven's Gate Sings

1859

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Fen Monastery

1926

Print made by Charles William Cain, 1893–1962, British

Before the Breeze

undated

Print made by S. Einslie, active 1785–1808

Ann Elizabeth, Countess of Aldborough

1788

Print made by William Miller, 1796–1882, British

Dryburgh

1834

Print made by William Miller, 1796–1882, British

Melrose

1834