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Genre landscape

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Creator Arnald, George, 1763–1841

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Subject Terms canoes

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Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841, British
Date:
1822
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841, British
Date:
1822
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund