Genre: landscape / Associated Places: England / Width [cm]: 44

William Alfred Delamotte, 1775–1863, British

On the Isis, Waterperry, Oxfordshire

1806

Not on view

Robert Polhill Bevan, 1865–1925, British

A Village in the Sussex Downs

undated

John Constable, 1776–1837, British

Fulham Church from across the River

1818

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq

ca. 1840

James Duffield Harding, 1798–1863, British

View of the Clifton Suspension Bridge

undated

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Samuel Jackson, 1794–1869, British

The Avon near Bristol

undated

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855, British

Margate

1822

Print made by William Bernard Cooke, 1778–1855, British

Margate

1823

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1825

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

John Linnell, 1792–1882, British

Scene in Kent

undated

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by George Cooke, 1781–1834, British

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Margate

1823

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by John Wykeham Archer, 1808–1864, British

Richmondshire Castle and Town

1820

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by John Wykeham Archer, 1808–1864, British

Crook of the Lune, Looking towards Hornby Castle

1821

James Baker Pyne, 1800–1870, British

Figures on a Cliff Path near Dover

1839

Paul Sandby, 1731–1809, British

View at Charlton, Kent

ca. 1783

Print made by William Bernard Cooke, 1778–1855, British

Plymouth, with Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855, British

Plymouth, from Mount Batten

1817

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828-1832

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882, British

Berwick on Tweed

1834

Print made by Day & Co., 1824–1913, British

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Peter DeWint, 1784–1849, British

Windsor from below the Locks

undated

Joshua Cristall, 1768–1847, British

Trees near Hastings

1807

Print made by Letitia Byrne, 1779–1849, British

Kenilworth Castle

1794-1837

Thomas Rowlandson, 1756–1827, British

Sandown Fort

undated

Thomas Rowlandson, 1756–1827, British

The Undercliff, Steephill, Isle of Wight

undated

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Sir Francis Seymour Haden, 1818–1910, British

On the Thames

1859

Sir Francis Seymour Haden, 1818–1910, British

Sawley Abbey

1873

Print made by David Lucas, 1802–1881, British

Autumnal Sunset

1831

Print made by David Lucas, 1802–1881, British

Yarmouth, Norfolk

1832

Print made by David Lucas, 1802–1881, British

Noon

1830

Print made by David Lucas, 1802–1881, British

Yarmouth, Norfolk

1832

Print made by David Lucas, 1802–1881, British

A Heath

1831

Print made by David Lucas, 1802–1881, British

The Glebe Farm

1832

Print made by David Lucas, 1802–1881, British

Vignette, Hampstead Heath, Middlesex

1831

Print made by David Lucas, 1802–1881, British

Spring

1829 to 1830

Print made by William Radclyffe, 1780–1855, British

Hornby Castle, from Tatham Church

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Landseer, 1769–1852, British

High Force or Fall of the Tees

1821

Print made by John Scott, 1774–1828, British

Aysgarth Force

1820

Print made by David Lucas, 1802–1881, British

Old Sarum

1830

Print made by David Lucas, 1802–1881, British

A Summerland

1831

Print made by David Lucas, 1802–1881, British

Summer Afternoon, After a Shower

1831

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1838

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828

Print made by David Lucas, 1802–1881, British

A Lock on the Stour, Suffolk

1831

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Edward Bouverie-Hoyton, active 1930

Devon Coast

1920s

Print made by John Fullwood, op.1881–1915, British

Laleham Meadows near Littleton

undated

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Width [cm] 44

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