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1. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794, Swiss
Date:
1769
Medium:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. A London Riot

A London Riot
Creator:
Charles Reuben Ryley, 1752–1798, British
Date:
undated
Medium:
Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. George Fox Is Stoned by the Crowd at Walney Island

George Fox Is Stoned by the Crowd at Walney Island
Creator:
Print made by Robert Spence, 1871–1964, British
Date:
between 1890 and 1911
Medium:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

6. George Fox Is Beaten in the Steeple-House at Ulverston

George Fox Is Beaten in the Steeple-House at Ulverston
Creator:
Print made by Robert Spence, 1871–1964, British
Date:
between 1890 and 1911
Medium:
Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:
Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

7. George Fox and the Dead Cromwell

George Fox and the Dead Cromwell
Creator:
Print made by Robert Spence, 1871–1964, British
Date:
between 1897 and 1898
Medium:
Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

8. A Race Meeting at Newmarket Heath

A Race Meeting at Newmarket Heath
Creator:
Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664)
Date:
ca. 1671
Medium:
Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Medium:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838, British
Date:
1822
Medium:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

14. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1794
Medium:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816, British
Date:
undated
Medium:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. George Fox Preaching at Carlisle

George Fox Preaching at Carlisle
Creator:
Print made by Robert Spence, 1871–1964, British
Date:
between 1897 and 1912
Medium:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

17. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
Creator:
William Alexander, 1767–1816, British
Date:
ca. 1799
Medium:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894, British
Date:
after 1832
Medium:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872, British
Date:
undated
Medium:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867, British
Date:
1851
Medium:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection