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1. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794, Swiss
Date:
1769
Medium:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Interior of the Brandenburg House Theatre, Hammersmith

Interior of the Brandenburg House Theatre, Hammersmith
Creator:
Henry Wigstead, ca. 1745–ca. 1800, British
Date:
ca. 1792
Medium:
Gray wash and graphite with pen and black on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church

Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Hypatia Teaching at Alexandria

Hypatia Teaching at Alexandria
Creator:
Robert Trewick Bone, 1790–1840, British
Date:
undated
Medium:
Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field

Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field
Creator:
Thomas Hosmer Shepherd, 1792–1864, British
Date:
1818
Medium:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Monument of King Henry III, in Westminster Abbey

The Monument of King Henry III, in Westminster Abbey
Creator:
Jacob van Schley, 1715–1779, Dutch
Date:
1735
Medium:
Engraving on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

8. The Monument in Westminster Abbey of King Henry V

The Monument in Westminster Abbey of King Henry V
Creator:
George Vertue, 1684–1756, British
Date:
between 1699-1756
Medium:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Monument of King Edward III in Westminster Abbey

The Monument of King Edward III in Westminster Abbey
Creator:
Claude Du Bosc, c.1711–1740
Date:
undated, ca. 1726-1740
Medium:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Tower of London

The Tower of London
Creator:
Print made by Thomas Tagg, died 1809, British
Date:
1795
Medium:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 5 7/8 inches (7.9 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Monument to Jennett Hamilton, Chelsea Church

Monument to Jennett Hamilton, Chelsea Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor, white gouache, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church

Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church

Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1835
Medium:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church

Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor, graphite, white gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 10 3/8 inches (30.5 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882, British
Date:
1831
Medium:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1835
Medium:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. L'Adieu

L'Adieu
Creator:
Print made by Michael Hanhart, active 1841–1852
Date:
ca. 1858
Medium:
Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

21. Exhibition Etchings

Exhibition Etchings
Creator:
Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Etching and drypoint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

22. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Church at Dixmude, West Flanders

The Church at Dixmude, West Flanders
Creator:
David Roberts, 1796–1864, British
Date:
ca. 1863
Medium:
Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 14 1/4in. (27.9 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, engraver's proof (touched)
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Bird's Eye View of [Queen Victoria's Funeral] Procession

Bird's Eye View of [Queen Victoria's Funeral] Procession
Creator:
Henry William Brewer, 1836–1903, British
Date:
1902
Medium:
Pen and black ink, graphite, gray wash and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:
Sheet: 22 15/16 × 16 3/16 inches (58.3 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

27. The Shah Nujeef

The Shah Nujeef
Creator:
William Simpson, 1823–1899, British
Date:
1861
Medium:
Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Indian Theatre

The Indian Theatre
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 17 1/2 inches (32 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

29. Ireland and Russia

Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

30. From the Dome

From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

31. Evening in Little Russia

Evening in Little Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

32. The Art Gallery

The Art Gallery
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

33. Night from the River

Night from the River
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

34. View of the Coronation Procession of George IV

View of the Coronation Procession of George IV
Creator:
unknown artist, nineteenth century
Date:
ca. 1821
Medium:
Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Creator:
Print made by unknown artist
Date:
undated
Medium:
Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:
Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
Creator:
Print made by unknown artist
Date:
undated
Medium:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel

Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
Creator:
Bill Brandt, 1904–1983, British
Date:
1940
Medium:
Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:
Mount: 20 x 15 15/16 inches (50.8 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein

38. People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939

People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939
Creator:
Bill Brandt, 1904–1983, British
Date:
ca. 1939
Medium:
Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:
Mount: 20 x 16 inches (50.8 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein

39. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire the younger, 1769–1822, British
Date:
1842
Medium:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.

The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.
Creator:
Print made by Thomas Picken, active 1838–died 1870, British
Date:
1853
Medium:
Colored lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 21 1/4 x 28 3/4in. (54 x 73cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Medium:
Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Marriage of Henry the seventh

Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842, British
Date:
1796
Medium:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838, British
Date:
1822
Medium:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

47. Death of Bishop Heber

Death of Bishop Heber
Creator:
Print made by James Sands, active 1813–1846
Date:
1844
Medium:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

48. The Tower of London

The Tower of London
Creator:
Print made by Thomas Tagg, died 1809, British
Date:
1794
Medium:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Inside View of the East End of Merton College

Inside View of the East End of Merton College
Creator:
Print made by James Basire the younger, 1769–1822, British
Date:
1802
Medium:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Glasgow Exhibition: Entrance from the Piazza

Glasgow Exhibition: Entrance from the Piazza
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

51. Glasgow Exhibition: Ireland and Russia

Glasgow Exhibition: Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:
Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

52. Glasgow Exhibition: From the Dome

Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953, British
Date:
1901
Medium:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

53. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882, British
Date:
1831
Medium:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Design for Commemorative Medallion for Simon Bolivar

Design for Commemorative Medallion for Simon Bolivar
Creator:
Edward Francis Burney, 1760–1848, British
Date:
undated
Medium:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 3 1/2 inches (9.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

56. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

Tomb of Gregory Lovell and his Wife Anne, Harlington Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Brass Plate Monument for John Stockton, West Wickham Church

Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Blessing of the Suez Canal, November 16, 1869

The Blessing of the Suez Canal, November 16, 1869
Creator:
William Simpson, 1823–1899, British
Date:
after 1869
Medium:
Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882, British
Date:
1831
Medium:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church

Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
Creator:
William Alexander, 1767–1816, British
Date:
ca. 1799
Medium:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Handbill of Bermondsey Spa Gardens

Handbill of Bermondsey Spa Gardens
Creator:
unknown artist, eighteenth century
Date:
1789
Medium:
Letterpress on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 10 7/16 × 7 inches (26.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Decline of Carthage

Decline of Carthage
Creator:
Print made by James Baylis Allen, 1803–1876, British
Date:
between 1859 and 1861
Medium:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Figures with a Bull From Parthenon Frieze

Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782, British
Date:
undated
Medium:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Sketch of a Horseman, From the Parthenon Frieze

Sketch of a Horseman, From the Parthenon Frieze
Creator:
William Pars, 1742–1782, British
Date:
undated
Medium:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Dido Building Carthage

Dido Building Carthage
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
between 1859 and 1861
Medium:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872, British
Date:
undated
Medium:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Gems of the Great Exhibition No. 4: The Foreign Department

Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867, British
Date:
1852 or 1854
Medium:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867, British
Date:
1851
Medium:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885, British
Date:
undated
Medium:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Creator:
Print made by Simon Gribelin, 1662–1733, French, active in Britain
Date:
1720
Medium:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733, French, active in Britain
Date:
ca. 1720
Medium:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854, British
Date:
after 1835
Medium:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Temple of Jupiter Panhellenius, Aegina

Temple of Jupiter Panhellenius, Aegina
Creator:
Print made by James Baylis Allen, 1803–1876, British
Date:
between 1859 and 1861
Medium:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Cambridge, Kings College Chapel, Queen Elizabeth's Visit 1564

No cover image available
Creator:
Print made by Fred Taylor, 1875–1963, British
Date:
1929
Medium:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Frame: 43 × 54 inches (109.2 × 137.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alan Richards, Yale BA 1967, JD 1972

80. The Funeral of the Duke of Wellington. The Ceremony in St. Paul's Cathedral, November 18th 1852.

No cover image available
Creator:
Print made by William Simpson, 1823–1899, British
Date:
1853
Medium:
Colored lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 28 3/4 × 21 3/8 inches (73 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection