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The Destruction of Niobe's Children
Creator:
George Romney, 1734–1802, British
Date:
undated
Medium:
Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/4 x 20 5/8 inches (32.4 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Apollo and Diana for "The Destruction of Niobe's Children"
Creator:
George Romney, 1734–1802, British
Date:
undated
Medium:
Brown ink and graphite on medium moderately textured beige laid paper
Dimensions:
Sheet: 12 5/8 x 20 5/8 inches (32.1 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Study of Hercules for 'Crowning the Victors at Olympia'
Creator:
James Barry, 1741–1806, Irish
Date:
between 1777 and 1780
Medium:
Pen and black ink with brown wash over black chalk on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 15 3/16 × 8 3/8 inches (38.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for an Engraving: Battle of Troy with the Trojan Horse
Creator:
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Date:
undated
Medium:
Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782, British
Date:
undated
Medium:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection