Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
8
Richard Parkes Bonington, 1802–1828, British
Bergues - La Tour du March,
9
Cornelius Varley, 1781–1873, British
Studies of Boats, Figures, Carts, and Buildings
undated
10
James Duffield Harding, 1798–1863, British
Naples from the Strada Nouva, Nov.26, 1830
1830
11
Print made by John Byrne, 1786–1847, British
Rome from Monte Mario
1820
12
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
13
Jules Lessore, 1849–1892, French
View of the Rue de Lamitie
undated
14
Print made by Robert Wallis, 1794–1878, British
Dudley, Worcestershire
1835
15
Print made by Edward Francis Finden, 1791–1857, British
Genoa
1832-1834
16
Print made by Thomas Jeavons, ca. 1800–1867, British
Lyme Regis, Norfolk
1836
17
Print made by George Cooke, 1781–1834, British
Edinburgh from the Calton Hill
1820
18
John Maurer, active 1713–1761
The Mansion House
undated
19
William Marlow, 1740–1813, British
Houses by the Riverside
undated
20
Imitator of Renold Elstrack, 1570–1625(?), British
George Villiers, first Duke of Buckingham
between 1700 and 1720
21
Print made by unknown artist, eighteenth century
A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens
1755
22
Print made by Thomas Shotter Boys, 1803–1874, British
Buckingham Palace from St. James's Park
1842
23
Print made by Robert Bryden, 1865–1939, British
Auld Brig, Ayr
1904
24
Print made by Robert Wallis, 1794–1878, British
Rome, Castle of St. Angelo
1830
25
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
26
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
27
Follower of Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Capriccio of a Venetian Courtyard
undated
28
John Chessell Buckler, 1793–1894, British
South East View of the Church and Palace at Croydon, Surrey
1817
29
Thomas Shotter Boys, 1803–1874, British
Notre Dame, Paris
between 1831 and 1845
30
Print made by unknown artist, (Dubois)
A View of Several Palaces at Naples at Sun Rise
undated
31
Godfrey Thomas Vigne, 1801–1863, British
Lima
1850
32
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
33
Print made by Edward Goodall, 1795–1870, British
Venice
1830
34
Print made by Edward Goodall, 1795–1870, British
Florence
1830
35
Engraved by Henry Le Keux, 1787–1868, British
High Street, Edinburgh
1819
36
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
37
Print made by Robert Wallis, 1794–1878, British
Rome, Castle of St. Angelo (vignette)
1828 to 1830
38
Print made by Robert Wallis, 1794–1878, British
Rome, Castle of St. Angelo (vignette)
1830
39
Print made by Edward Goodall, 1795–1870, British
Venice (vignettes)
1830
40
Print made by Edward Goodall, 1795–1870, British
Florence (vignettes)
1830
41
Print made by Edward Goodall, 1795–1870, British
Venice (vignettes)
1830
42
Print made by James C. Allen, active 1821–1831, British
Ehrenbreitstein
1824
43
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
44
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
45
John Ruskin, 1819–1900, British
The Great Square at Torcello
1850
46
Thomas Rowlandson, 1756–1827, British
Newbury Market Place, Berkshire
between 1815 and 1820
47
Sir John Frederick William Herschel, first Baronet, 1792–1871, British
Antwerp Cathedral
1824
48
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Adam and Eve Tavern, Old Chelsea
1878
49
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
50
Thomas Girtin, 1775–1802, British
View of Kingswear, from Dartmouth, Devon
ca. 1797
51
Sir Francis Seymour Haden, 1818–1910, British
By Twickenham
1865
52
Print made by John Maurer, active 1713–1761
A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746
53
unknown artist
A Prospect of the Parliament House, in College Green, Dublin
54
George Buchanan Wollaston, Active 1879–1886
London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882
1881
55
Print made by William Bernard Cooke, 1778–1855, British
Plymouth, Devonshire
1832
56
Print made by unknown artist, (de Bois)
A View of Campo Vaccino at Rome
undated
57
Print made by unknown artist, (Dubois)
A View of the Mole and the New Castle at Naples
undated
58
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
59
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
60
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
61
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
62
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
63
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
64
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
65
Print made by Paul Angier, active 1749, French (active in London)
A View of Paris
66
David Roberts, 1796–1864, British
The Tower of London
1864
67
David Roberts, 1796–1864, British
St. Paul's
1862-1863
68
David Roberts, 1796–1864, British
Saint Lo
ca. 1825
69
George Chinnery, 1774–1852, British
Building on a Hillside in a Mountainous Village (China?)
undated
70
Peter DeWint, 1784–1849, British
Study for 'Elijah'
1828
71
David Cox, 1783–1859, British
A French Market Place
1829
72
Charles Dyce, active 1848, British
View at Malta
ca. 1849
73
Print made by François-Louis Couché, 1782–1849, French
Le Banyan, Rives du Gange; Pondichéry
1835
74
Print made by Henry Le Keux, 1787–1868, British
Heriot's Hospital
1822
75
Print made by Edward Goodall, 1795–1870, British
Florence
1830
76
Sir Francis Seymour Haden, 1818–1910, British
Out of Study Window
1859
77
Sir Francis Seymour Haden, 1818–1910, British
Battersea Bridge
1868
78
Print made by Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 2
after 1880
79
Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 2
after 1880
80
Print made by Robert Wallis, 1794–1878, British
Lancaster, from the Aqueduct Bridge
1827
81
Print made by Robert Wallis, 1794–1878, British
Colchester, Essex
1827
82
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
83
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
84
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
85
Print made by William Miller, 1796–1882, British
Stamford, Lincolnshire
1830
86
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
The Quay
1916
87
Print made by Sir Muirhead Bone, 1876–1953, British
San Frediano in Cestello, Florence
1915
88
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1830
89
Print made by S. Fisher, active 1831–1844
Coventry, Warwickshire
1833
90
Print made by unknown artist, nineteenth century
Coventry
1833
91
Print made by William Miller, 1796–1882, British
Chatham, Kent
1832
92
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
93
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
94
Print made by Robert Wallis, 1794–1878, British
Dudley, Worcestershire
1835
95
Print made by Robert Wallis, 1794–1878, British
Margate, Kent
1832
96
unknown artist
Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices
97
Isaac Weld, 1774–1856, Irish
Capri
ca. 1818
98
Print made by Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
99
Print made by Thomas Girtin, 1775–1802, British
View of the City with the Louvre & Taken from Pont Marie
1802
100
Etched by Thomas Girtin, 1775–1802, British
View of the Pont St. Michael, taken from the Pont Neuf