Genre: cityscape / Height [cm]: 22 / Subject Terms: architectural subject

Daniel Turner, active 1782–1805, British

York Water-Gate and the Adelphi

ca. 1800

Not on view

Print made by Samuel Rawle, 1771–1860, British

Florence, from the Ponte alla Carria

1818-1820

Print made by William Miller, 1796–1882, British

Nantes

1833

Print made by Stanley Anderson, 1884–1966, British

Somerset House, London

1910

Print made by Robert Sargent Austin, 1895–1973, British

The Capitol, Rome

1923

Edward Vulliamy, 1876–1962

Cambridge from Coe Fen

1917

Print made by unknown artist, (Dubois)

A View of Several Palaces at Naples at Sun Rise

undated

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by George Hollis, 1792–1842, British

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

George Sidney Shepherd, 1784–1862, British

Finsbury Square

1814

Print made by James T. Willmore, 1800–1863, British

Destruction of Both Houses of Parliament

1835

Print made by James T. Willmore, 1800–1863, British

Destruction of Both Houses of Parliament

1835

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Thomas Girtin, 1775–1802, British

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin, 1775–1802, British

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

John Brown, 1749–1787, British

View from Behind the Colonnade, Piazza San Pietro, Rome

ca. 1772

Attributed to Rev. Daniel Finch, 1757–1840, British

At Ashford

1818

Print made by William Miller, 1796–1882, British

Nantes

1833

Print made by Robert Brandard, 1805–1862, British

Blois

1833

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833