Genre: cityscape / Work Type: intaglio print / Subject Terms: canoes - YCBA Collections Search Search Results

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Genre cityscape

Work Type intaglio print

Subject Terms canoes

1. A View of the Mole and the New Castle at Naples

A View of the Mole and the New Castle at Naples

Creator:: Print made by unknown artist, (Dubois)
Date:: undated
Medium:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 x 12 9/16 inches (25.4 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Bouvignes and Dinant

Bouvignes and Dinant

Creator:: Print made by George Arnald, 1763–1841, British
Date:: 1822
Medium:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Bouvignes and Dinant

Bouvignes and Dinant

Creator:: Print made by George Arnald, 1763–1841, British
Date:: 1822
Medium:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841, British
Date:: between 1818 and 1828
Medium:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841, British
Date:: between 1818 and 1828
Medium:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund