after Joseph Mallord William Turner, 1775–1851, British
Tours - Looking Backward
1833
2
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
3
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
4
Print made by George Cooke, 1781–1834, British
Brighton
1814 to 1826
5
Print made by George Cooke, 1781–1834, British
Brighton
1825
6
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1818-1820
7
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1818-1820
8
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1818-1820
9
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1820
10
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1819
11
Print made by Samuel Rawle, 1771–1860, British
Florence, from the Ponte alla Carria
1818-1820
12
Print made by Robert Wallis, 1794–1878, British
Havre
1832
13
Print made by Robert Brandard, 1805–1862, British
Blois
1833
14
Print made by Robert Brandard, 1805–1862, British
Tours
1833
15
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
16
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
17
Print made by William Miller, 1796–1882, British
Rouen, looking down the river
1834
18
Print made by James T. Willmore, 1800–1863, British
Vernon
1835
19
Print made by Robert Brandard, 1805–1862, British
View on the Seine between Mantes and Vernon
1835
20
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
21
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
22
Print made by James T. Willmore, 1800–1863, British
Saumur
1833
23
Print made by Edward Francis Finden, 1791–1857, British
Malta
1832-1834
24
Print made by Sir Muirhead Bone, 1876–1953, British
A Spanish Good Friday
1925
25
Sir David Young Cameron, 1865–1945, British
Ponte Vecchio [North Italian Set: No. 21]
1895
26
Sir David Young Cameron, 1865–1945, British
Venice from the Lido [North Italian Set: No. 17]
1896
27
Sir David Young Cameron, 1865–1945, British
Siena
1900
28
Print made by Robert Sargent Austin, 1895–1973, British
The Capitol, Rome
1923
29
Sir Muirhead Bone, 1876–1953, British
The Building
1904
30
Print made by Richard Parkes Bonington, 1802–1828, British
Rue du Gros-Horloge, Rouen
1824
31
Sir David Young Cameron, 1865–1945, British
Dinant [Belgian Set: No. 9]
1907
32
Print made by George Barret, ca. 1728/32–1784, Irish
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
33
Print made by George Barret, ca. 1728/32–1784, Irish
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
34
Print made by James Heath, 1757–1834, British
Inverary
1805
35
Print made by William Bernard Cooke, 1778–1855, British
East & West Looe, Cornwall
1818
36
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
37
Print made by William Bernard Cooke, 1778–1855, British
East & West Looe, Cornwall
1818
38
Print made by George Cooke, 1781–1834, British
Brighton
1814 to 1826
39
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1818-1820
40
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1820
41
Print made by George Hollis, 1792–1842, British
Rome, Bridge and Castle of St. Angelo, on the Tyber
1818
42
Print made by George Hollis, 1792–1842, British
Rome; Bridge and Castle of St. Angelo on the Tyber
1818
43
Print made by W. Floyd, active 1845
Fish Market, Rotterdam
1834-1856
44
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828 to 1837
45
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828-1837
46
Print made by Robert Wallis, 1794–1878, British
Saumur
1830
47
Print made by Robert Wallis, 1794–1878, British
Saumur
1830
48
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
49
Print made by John Cousen, 1804–1880, British
Honfleur
1834
50
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
51
Print made by James C. Allen, active 1821–1831, British
Ehrenbreitstein
1824
52
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
53
Print made by James C. Allen, active 1821–1831, British
The Custom House
1827
54
Print made by James C. Allen, active 1821–1831, British
The Custom House
1827
55
Print made by Edward Goodall, 1795–1870, British
Tivoli, a Composition
1827
56
Print made by Edward Goodall, 1795–1870, British
Tivoli, a Composition
1827
57
Print made by William Miller, 1796–1882, British
Melun
1835
58
Print made by James Charles Armytage, 1802–1897, British
Troyes
1834
59
Print made by William Miller, 1796–1882, British
Melun
1835
60
Print made by James Charles Armytage, 1802–1897, British
Troyes
1834
61
Print made by Robert Brandard, 1805–1862, British
Blois
1833
62
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
63
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1831
64
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1826-1837
65
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
66
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
67
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
68
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
69
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
70
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
71
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
72
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
73
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
74
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
75
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
76
Print made by Robert Brandard, 1805–1862, British
Tours
1833
77
Print made by Day & Haghe, 1824–1913, British
The High Street, Southampton
1828
78
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
79
Print made by Robert Brandard, 1805–1862, British
Tours
1833
80
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
81
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
82
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
83
Print made by Robert Wallis, 1794–1878, British
Tours - looking backwards
1833
84
Print made by Robert Brandard, 1805–1862, British
Rietz near Saumur
1833
85
Print made by James T. Willmore, 1800–1863, British
Paris from the Barriere de Passy
1835
86
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-laye
1831
87
Print made by Thomas Jeavons, ca. 1800–1867, British
Hotel de Ville and Pont d'Arcole
1835
88
Print made by William Radclyffe, 1780–1855, British
Marche aux Fleurs and Pont-au-Change
1835
89
Sir Francis Seymour Haden, 1818–1910, British
By Twickenham
1865
90
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Île de la Cité, Paris
1859
91
John Maurer, active 1713–1761
A Perspective View of Covent Garden
92
John Tinney, died 1761, British
A View of the Palace of Versailles towards ye Garden
93
Nathaniel Parr, active 1742–1751, British
A Prospect of St. James's Park
94
John Maurer, active 1713–1761
A Perspective View of Whitehall
95
Print made by Robert Brandard, 1805–1862, British
Beaugency
1833
96
Print made by Robert Brandard, 1805–1862, British
Blois
1833
97
unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
98
Thomas Bowles, ca. 1712–died 1753, British
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
99
Thomas Bowles, ca. 1712–died 1753, British
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London