David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
2
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
3
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
4
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
5
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
6
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
7
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
8
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
9
Print made by Edward Goodall, 1795–1870, British
Columbus and his Son
1834
10
Print made by William Miller, 1796–1882, British
Abbotsford from the Northern Bank of the Tweed
1839
11
Print made by William Miller, 1796–1882, British
Abbotsford, Large Vignette
1841
12
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower
1839
13
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
14
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
15
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower
1839
16
Print made by William Miller, 1796–1882, British
Abbotsford, Large Vignette
1841
17
Print made by William Miller, 1796–1882, British
Sandy Knowe, or Smailholm Tower (Vignette)
1839
18
Print made by M. H. Long
St. Herbert's Chapel
1884
19
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
20
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
21
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
22
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
23
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
24
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
25
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
26
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
27
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
28
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
29
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
30
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
31
Print made by William Miller, 1796–1882, British
Abbotsford from the Northern Bank of the Tweed
1839
32
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
33
Rev. William Warren Porter, 1776–1804, British
Castle of Udolpho
undated
34
Print made by George Cruikshank, 1792–1878, British
London. A Street: 'Henry IV Part II,' Act II, Scene I