Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
6
Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672)
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
7
Print made by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1811
8
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
9
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
10
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
11
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
12
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
13
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
14
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
15
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
16
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
17
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
18
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
19
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
20
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
21
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
22
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
23
William Daniell, 1769–1837, British
Windsor Castle from near Brocas Meadows
1827
24
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
25
Thomas Daniell, 1749–1840, British, active in India
Tremal Naig's Choultry, Madura
1792
26
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
27
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
28
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
29
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
30
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
31
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
32
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
33
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
34
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
35
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
36
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
37
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
38
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
39
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
40
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
41
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
42
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
43
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
44
Print made by Axel Herman Haig, 1835–1921, British
Gefaler Cathedral
1901
45
Samuel Davis, 1760–1819, British
Mr. Croft's bungalow, Near Madras
undated
46
unknown artist, nineteenth century-twentieth century
Perspective View of a Church
ca. 1900
47
Samuel Davis, 1760–1819, British
Old Mosque at Rajemahl [Rajmahal]
undated
48
unknown artist, ( James Phelps )
A View of St. Katharine's Dock in the Month of January, 1828
1828
49
Robert Adam, 1728–1792, British
Headfort House: Lady's Room Ceiling
1772
50
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
51
Print made by James T. Willmore, 1800–1863, British
Ancient Italy - Ovid Banished from Rome
1842
52
Thomas Malton, 1726–1801, British
Lleweney Bleach Works
1798
53
Print made by Thomas Malton the Younger, 1748–1804, British
Cambridge University: Queens College
1800
54
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
55
Thomas Malton the Younger, 1748–1804, British
The East Front of the Library of Trinity College in the University of Cambridge
1800
56
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
57
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
58
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
59
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
60
Thomas Anburey, 1759–1840, British
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
61
Print made by James Basire the younger, 1769–1822, British
PLATE XV. Elevation of a Window Bay &c
1805
62
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan
1830
63
Rubbed by Townsend Rich, 1909–1998, American
John Strete, Rector, The Parish Church of St. Peter and St. Paul, Upper Hardres
1968
64
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
65
Rubbed by Townsend Rich, 1909–1998, American
Sir John Bernard and His Wife Lady Ellen Swinerton, the Parish Church of St. Andrew, Isleham
1966
66
Print made by William Miller, 1796–1882, British
Kilchurn Castle, Loch Awe
1847
67
Print made by Benedetto Pastorini, Italian, ca.1746–after 1803, Italian
Inside View of the Theatre Royal, Drury Lane
1775
68
George Howse, 1800–1860
The Cathedral of St. Pierre, Caen
1859
69
Print made by William Walcot, 1874–1943, British
Antony in Egypt No.2, Morning of the Festival
1916
70
Print made by William Walcot, 1874–1943, British
A Tragedy of Sophocles Performed before the Emperor Hadrian