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Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779, British
Bristol High Cross
1734
John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson
Print made by John Sell Cotman, 1782–1842, British
Column at Yarmouth to the Memory of Lord Nelson
1817
John Rocque ...Plan of Windsor Park
John Rocque, 1704?–1762, French, active in Britain
...Plan of Windsor Park
1738
Edward Goodall Venice (vignettes)
Print made by Edward Goodall, 1795–1870, British
Venice (vignettes)
1830
Joseph Pennell The Choir or The Nave, Washington Cathedral
Print made by Joseph Pennell, 1860–1926, American
The Choir or The Nave, Washington Cathedral
1923
Gerard de Jode De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
Thomas Girtin View of the City with the Louvre &c., taken from Pont Marie
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin The Waterworks at Marli; and St. Germain en Laye seen in the distance
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
Richard Banks Harraden The Waterworks at Marli; and St. German en Laye seen in the distance
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
John Piper The Red House, Painswick, Glos.
John Piper, 1903–1992, British
The Red House, Painswick, Glos
1987
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
Thomas Girtin View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
Thomas Girtin View of the City with the Louvre &c. taken from Pont Marie
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
Thomas Girtin A General View of Paris taken from Chaillot
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
Thomas Girtin View of the Village of Chaillot and &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
Thomas Girtin View of the Village of Chaillot &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
Giovanni Giacomo de Rossi Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Published by Giovanni Giacomo de Rossi, 1627–1691, Italian
Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
between 1546 and 1590
Gerard de Jode Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590
Gerard de Jode Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
between 1546 and 1590
Andrew Fairbairn Affleck The Rialto
Print made by Andrew Fairbairn Affleck, 1874/7–1936
The Rialto
undated
Victor Marie Picot Wanstead House in Essex
Victor Marie Picot, 1744–1805, French
Wanstead House in Essex
1775
Sutton Nicholls St. Mary le Strand
Sutton Nicholls, active 1725, British
St. Mary le Strand
undated
Gerard van der Gucht Fort St. George
Print made by Gerard van der Gucht, 1696–1776, British
Fort St. George
1736
Richard Parkes Bonington Tour aux Archives a Vernon
Print made by Richard Parkes Bonington, 1802–1828, British
Tour aux Archives a Vernon
1824
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Hope
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Hope
1781
Etienne Dupérac Flvvivs Tiberis (Plate 6, in lower left quadrant)
Print made by Etienne Dupérac, ca. 1535–1604, French
Flvvivs Tiberis (Plate 6, in lower left quadrant)
1574
Etienne Dupérac Monvmentis Accvratiss (Plate 3)
Print made by Etienne Dupérac, ca. 1535–1604, French
Monvmentis Accvratiss (Plate 3)
1574
Etienne Dupérac Vrbis Romae Sciographia, S.P.Q.R. (Plate 1)
Print made by Etienne Dupérac, ca. 1535–1604, French
Vrbis Romae Sciographia, S.P.Q.R. (Plate 1)
1574
Etienne Dupérac Ex Antiqvis (Plate 2)
Print made by Etienne Dupérac, ca. 1535–1604, French
Ex Antiqvis (Plate 2)
1574
Etienne Dupérac Via Flaminia (Plate 5)
Print made by Etienne Dupérac, ca. 1535–1604, French
Via Flaminia (Plate 5)
1574
Etienne Dupérac Delineata (Plate 4)
Print made by Etienne Dupérac, ca. 1535–1604, French
Delineata (Plate 4)
1574
Etienne Dupérac Amphi. Vespasiani (Plate 7, in lower right quadrant)
Print made by Etienne Dupérac, ca. 1535–1604, French
Amphi. Vespasiani (Plate 7, in lower right quadrant)
1574
Etienne Dupérac Cartouche, Dedication to Karolo IX (Plate 8)
Print made by Etienne Dupérac, ca. 1535–1604, French
Cartouche, Dedication to Karolo IX (Plate 8)
1574
Johnstone Baird The Monument
Print made by Johnstone Baird, active 1900–1935
The Monument
undated
unknown artist Nevilles Court
unknown artist, ( G. Mark Hayes )
Nevilles Court
between 1911 and 1924
William Miller Kilchurn Castle, Loch Awe
Print made by William Miller, 1796–1882, British
Kilchurn Castle, Loch Awe
1847
William Walcot The Frigidarium of the Baths of Caracalla
Print made by William Walcot, 1874–1943, British
The Frigidarium of the Baths of Caracalla
1919
Sir David Young Cameron Old St. Etienne
Print made by Sir David Young Cameron, 1865–1945, British
Old St. Etienne
1907
William Walcot In the Days of Justinian
Print made by William Walcot, 1874–1943, British
In the Days of Justinian
1925
William Walcot The Basilica of Maxentius
Print made by William Walcot, 1874–1943, British
The Basilica of Maxentius
1927
William Walcot The Caldarium of the Baths of Caracalla
Print made by William Walcot, 1874–1943, British
The Caldarium of the Baths of Caracalla
1915