Print made by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1811
2
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
3
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
4
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
5
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
6
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
7
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
8
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
9
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
10
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
11
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
12
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
13
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
14
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
15
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
16
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
17
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
18
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
19
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
20
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
21
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
22
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
23
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
24
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
25
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
26
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
27
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
28
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
29
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
30
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
31
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
32
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
33
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
34
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
35
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
36
Print made by Axel Herman Haig, 1835–1921, British
Gefaler Cathedral
1901
37
unknown artist, ( James Phelps )
A View of St. Katharine's Dock in the Month of January, 1828
1828
38
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
39
Print made by James T. Willmore, 1800–1863, British
Ancient Italy - Ovid Banished from Rome
1842
40
Thomas Malton, 1726–1801, British
Lleweney Bleach Works
1798
41
Print made by Thomas Malton the Younger, 1748–1804, British
Cambridge University: Queens College
1800
42
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
43
Thomas Malton the Younger, 1748–1804, British
The East Front of the Library of Trinity College in the University of Cambridge
1800
44
Print made by James Basire the younger, 1769–1822, British
PLATE XV. Elevation of a Window Bay &c
1805
45
Print made by William Miller, 1796–1882, British
Kilchurn Castle, Loch Awe
1847
46
Print made by Benedetto Pastorini, Italian, ca.1746–after 1803, Italian
Inside View of the Theatre Royal, Drury Lane
1775
47
Print made by William Walcot, 1874–1943, British
Antony in Egypt No.2, Morning of the Festival
1916
48
Print made by William Walcot, 1874–1943, British
A Tragedy of Sophocles Performed before the Emperor Hadrian