Genre: architectural subject / Work Type: intaglio print / Height [cm]: 30

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ville de Thun, Switzerland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge and Goats

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Print made by Joseph Farington, 1747–1821, British

Windsor Bridge

1792

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

Print made by Edward Francis Finden, 1791–1857, British

Tomb of Cecilia Metella, Rome

1833

Print made by Edward Francis Finden, 1791–1857, British

Temple of Minerva, Cape Colonna

ca. 1832

Print made by Edward Francis Finden, 1791–1857, British

The Castle Rhine

1832-1834

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Edward Francis Finden, 1791–1857, British

Malta

1832-1834

Print made by John Cousen, 1804–1880, British

The Acropolis of Athens

1832-1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by Stanley Anderson, 1884–1966, British

Somerset House, London

1910

Print made by Sir Muirhead Bone, 1876–1953, British

Stockholm

1923

Sir David Young Cameron, 1865–1945, British

The Rialto

1900

Print made by William Byrne, 1743–1805, British

Eton, from the Slough Road

1803

Print made by William Byrne, 1743–1805, British

Abingdon from the Thames Navigation

1805

Print made by William Byrne, 1743–1805, British

Donnington Castle

1805

Print made by John Greig, active 1803–1853, British

Windsor from the Forest, Berks

1804

Print made by John Greig, active 1803–1853, British

Windsor from the Forest, Berks

1804

Print made by William Bernard Cooke, 1778–1855, British

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855, British

Martello Towers at Bexhill

1817

Print made by George Cooke, 1781–1834, British

Tintagel Castle, Cornwall

1814-1826

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by William Miller, 1796–1882, British

A Garden

1834

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1818-1823

Print made by William Miller, 1796–1882, British

Venice, The Rialto - Moonlight

1834

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

Print made by Samuel Rawle, 1771–1860, British

North East View of Dunster Castle, Somersetshire

1800

Print made by James Basire the younger, 1769–1822, British

Ancient Crosses at Whalley

1800

Engraved by John Pye, 1782–1874, British

Pope's Villa

1810

Print made by unknown artist, nineteenth century

Bay Windows in the Flower Garden at Farnley

1814

Print made by George Cooke, 1781–1834, British

Corfe Castle, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Corfe Castle, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Tintagel Castle, Cornwall

1818

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1818-1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1820

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by William Richardson, active 1842–1877, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by Edward Goodall, 1795–1870, British

Greenwich Hospital

1834

Print made by William Miller, 1796–1882, British

Venice, The Rialto - Moonlight

1834

Print made by John Byrne, 1786–1847, British

Rome from Monte Testaccio

1818-1820

Print made by Thomas Crostick, active ca. 1828, British

Fonthill

1828

Print made by Robert Brandard, 1805–1862, British

Jedburgh Abbey

1834

Print made by Edward Goodall, 1795–1870, British

Caerlaverock Castle

1834

Print made by William Miller, 1796–1882, British

Berwick on Tweed

1834

Print made by Robert Wallis, 1794–1878, British

Ehrenbreitstein

1833

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Thomas Girtin, 1775–1802, British

View of the Gate of St. Denis taken from the Suburbs

1802

Thomas Girtin, 1775–1802, British

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

1803

John Thomas Smith, 1766–1833, British

Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars

1812

Print made by Thomas Chambars, ca. 1724–1789, British

Sir Balthazar Gerbier

undated

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870, British

Captivity

1834

Print made by John Thomas Smith, 1766–1833, British

Cotton Garden, Westminster

1804

Print made by John Thomas Smith, 1766–1833, British

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

1804

Print made by William Henry Toms, ca. 1700–ca. 1750, British

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

Robert Havell, 1769–1832, British

Crofton

1813

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Print made by William Finden, 1787–1852, British

Rhodes

1833

Print made by John Cousen, 1804–1880, British

The Acropolis of Athens

1832-1834

Print made by Thomas Higham, 1796–1844, British

Orleans

1833

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Thomas Girtin, 1775–1802, British

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

1802

Thomas Girtin, 1775–1802, British

View of the Gate of St. Denis taken from the Suburbs

1802

Print made by John Cousen, 1804–1880, British

The Acropolis of Athens

1832-1834

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Thomas Dale, active ca. 1921, British

Interior of the Chapel of the Holy Trinity

1825

Thomas Malton the Younger, 1748–1804, British

Newgate

1799

James Basire the younger The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Print made by James Basire the younger, 1769–1822, British

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

1815

Hedley Fitton, 1859–1929, British

St. Bartholomew's Gateway

undated

Print made by David Lucas, 1802–1881, British

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Porta della Carta

undated

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Rio Malibran

undated

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1821

Sir Francis Seymour Haden, 1818–1910, British

Fulham on the Thames

after 1858

Print made by Sir Muirhead Bone, 1876–1953, British

Windy Night, Stockholm

1935

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Marc Antonio Raimondi, ca. 1480–ca. 1534, Italian

Secondo Tenpio De Giove in Capitolio

1546-1590

Print made by unknown artist, sixteenth century

Porticus Templi Iulii Columnae Tres

1550

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Work Type intaglio print

Height [cm] 30

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