The Caller at the Mill, with sketches outside margin
1918-1919
4
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1877
5
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
6
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
7
Etched by Joseph Mallord William Turner, 1775–1851, British
London from Greenwich
1811
8
Edward Lear, 1812–1888, British
Dendoor; 8:45 A.M., 16 Feb. 1867 (493)
1867
9
Edward Lear, 1812–1888, British
Near Gertassee; 10:25 A.M., 17 Feb. 1867 (513)
1867
10
Edward Lear, 1812–1888, British
Dishne; 4:45 P.M., 27 Feb. 1867 (555)
1867
11
Edward Lear, 1812–1888, British
Salo; 2:35 P.M., 14 May 1867 (89)
1867
12
Sir Robert Smirke the younger, 1781–1867, British
Sketch of Part of a Column
1802-1804
13
Print made by Sir David Young Cameron, 1865–1945, British
Ponte della Trinita, Florence
between 1902 and 1907
14
Sir David Young Cameron, 1865–1945, British
Royal Scottish Academy
1916
15
Print made by Sir David Young Cameron, 1865–1945, British
Ponte della Trinita, Florence
between 1902 and 1907
16
George Richardson, ca.1738–ca.1813, British
[One of] 25 drawings and prints for ceilings
undated
17
George Richardson, ca.1738–ca.1813, British
[One of] 25 drawings and prints for ceilings
undated
18
George Richardson, ca.1738–ca.1813, British
[One of] 25 drawings and prints for ceilings
undated
19
George Richardson, ca.1738–ca.1813, British
[One of] 25 drawings and prints for ceilings
undated
20
George Richardson, ca.1738–ca.1813, British
[One of] 25 drawings and prints for ceilings
undated
21
Print made by Sir David Young Cameron, 1865–1945, British
Stirling Castle
1899
22
John Moran, 1831–1902, American, born in Britain
Santo Antônio Lighthouse at the Entrance to Bahia, Brazil
1874
23
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
The Mausoleum at Brocklesby
ca. 1800
24
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
The Mausoleum at Brocklesby
ca. 1804
25
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
The Mausoleum at Brocklesby
ca. 1800
26
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
27
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
28
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation of the Office
ca. 1790
29
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
30
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
31
Henry Bright, 1810–1873, British
Moonlight Scene on the Rhine
undated
32
James Bruce, 1730–1794, British
No. 1 plan of a temple at Baalbec
undated
33
Thomas Stothard, 1755–1834, British
Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
undated
34
Francis Place, 1647–1728, British
Panoramic View of Carlisle
undated
35
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
36
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
37
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
38
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
39
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
40
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
41
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
42
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
43
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
44
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
45
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
46
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
47
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
48
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
49
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
50
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
51
Thomas Miles Richardson Sr., 1784–1848, British
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
52
Thomas Miles Richardson Sr., 1784–1848, British
Monk Bar, York
undated
53
Thomas Miles Richardson Sr., 1784–1848, British
Dunstanborough Castle
undated
54
Thomas Miles Richardson Sr., 1784–1848, British
St. Nicholas Church, Newcastle Upon Tyne
ca. 1825
55
Henry Holland, 1745–1806, British
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
56
Richard Banks Harraden, 1778–1862, British
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
57
Richard Banks Harraden, 1778–1862, British
Downing College, Cambridge
1830
58
Richard Banks Harraden, 1778–1862, British
Chapel Front, Emanuel College, Cambridge
ca. 1833
59
Richard Banks Harraden, 1778–1862, British
Jesus College from the Meadows, Cambridge
ca. 1830
60
Richard Banks Harraden, 1778–1862, British
Pembroke College, Cambridge
undated
61
Richard Banks Harraden, 1778–1862, British
St. Peter's College, Cambridge
ca. 1830
62
Richard Banks Harraden, 1778–1862, British
New Building of St. John's from the Gardens, Cambridge
ca. 1830
63
Richard Banks Harraden, 1778–1862, British
Jesus College, Cambridge
ca. 1830
64
Richard Banks Harraden, 1778–1862, British
Corpus Christi College, Cambridge
1836
65
Richard Banks Harraden, 1778–1862, British
Warwick Vase, Public Library, Cambridge
1842
66
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
67
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
68
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
69
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
70
unknown artist, eighteenth century
Herstmonceux Castle
undated
71
William Taverner, 1703–1772, British
Landscape with Buildings: Possibly at Richmond, Surrey
undated
72
Henry Shaw, 1800–1873, British
Greek Armour
undated
73
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
74
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
75
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
76
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
77
Henry Phillip Hope, active 1799–1818
Paysage
undated
78
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
79
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
80
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
81
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
82
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
83
Thomas Hope, 1769–1831, British
Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
1818
84
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
85
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
86
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
87
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
88
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
89
unknown artist, (Roos, A.?)
Badgebury House, South East Front - Elevation
1841
90
unknown artist
Sketch for Ceiling or Bed Canopy
undated
91
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
92
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
93
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
94
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
95
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
96
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
97
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
98
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
99
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
100
Thomas Hope, 1769–1831, British
(One of) Twenty-one pen drawings of Decorative Details in Antique Style