Genre: architectural subject / Associated Places: United Kingdom

Attributed to John Carter, 1748–1817, British

Plan of the Basement Story under the House of Lords

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

Parts in Stone Underhouse of Lords

between 1800 and 1807

Attributed to John Carter, 1748–1817, British

View in Basement Story under House of Lords

between 1800 and 1807

Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British

Part of the Construction in the Old House of Lords

1823

Attributed to John Carter, 1748–1817, British

Elevation of the Basement Story, House of Lords

between 1800 and 1807

Print made by John Thomas Smith, 1766–1833, British

A Doorway in one of the Cellars Under the Old House of Lords

1804

Print made by Henry Melville, active 1826–1841, British

The Kind Proroguing Parliament

1834

Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British

Part of the Construction in the Old House of Lords

1823

Print made by unknown artist

View of the Higher House of Parliament in England

ca. 1695

Print made by unknown artist, (William Taylor)

Plate XXXIX: House of Commons as Fitted Up in 1835

ca. 1836

Print made by Henry Melville, active 1826–1841, British

House of Commons, the Speaker Reprimanding a Person at the Bar

after 1850

unknown artist

Survey view of a lobby, Palace of Westminster

undated

Attributed to office of Sir John Soane, 1753–1837, British

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

ca. 1794

unknown artist, nineteenth century

New Rooms at Westminster for the Bishops

undated

Attributed to office of Sir John Soane, 1753–1837, British

Plan of the Upper Floor of Lord Committee Rooms

1835

Attributed to office of Sir John Soane, 1753–1837, British

Plan of the Ground Floor, House of Lords

1835

Print made by John Greig, active 1803–1853, British

The Painted Chamber, Westminster

1804

unknown artist

Exterior of Painted Chamber, North View

undated

Attributed to John Carter, 1748–1817, British

Palace at Westminster

between 1800 and 1807

Print made by unknown artist, (William Taylor)

Staircase at Southeast Angle, Painted Chamber, Westminster

1835

Attributed to John Carter, 1748–1817, British

Plan of Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

Side Window, North, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

East Front of Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

Wall Paintings

between 1793 and 1799

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXVIII

1842

Attributed to John Carter, 1748–1817, British

Enlarged Detail of Figures from Painting Shown in Previous Sketch

between 1793 and 1799

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXIX

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

George Birch, 1842–1904, British

Plan and View of Room under the Painted Chamber

1827

Charles James Richardson, 1806–1871, British

Sections of Room under Painted Chamber

1827

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Print made by T. Kearnan, active 1821–1850, British

The House of Lords, as Restored after the Fire

1835

Attributed to William Capon, 1757–1827, British

Elevation of Buildings Fronting Westminster Hall

1822

Print made by Miss Mary Byrne, 1776–1846, British

The Houses of Lords and Commons

1815

Print made by William Deeble, active 1814–1849, British

The King's Entrance to the House of Lords, From Poets Corner

1829

Charles James Richardson, 1806–1871, British

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871, British

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871, British

Decoration between Windows of Parlor, No. 3 Old Palace Yard

1871

Print made by R.C. Roffe, active in London 1806–1835, British

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Attributed to John Carter, 1748–1817, British

Seats in Henry VII Chapel, Westminster Abbey

ca. 1793

Print made by Edward Rooker, 1724–1774, British

Henry the Seventh's Chapel

undated

Attributed to John Carter, 1748–1817, British

Continuation of the Preceeding Ornaments

1793

William Capon, 1757–1827, British

Henry VII Chapel

ca. 1793

John Phillipps Emslie, 1839–1913, British

Houses Adjacent to Westminster Abbey in the Process of Demolition

1896

John Carter, 1748–1817, British

South East View of the Towers of the Abbey, &c. from College St. Westminster

1782

Attributed to John Carter, 1748–1817, British

Door-way in Wall of South Precints of Westminster Abbey

undated

Print made by John Carter, 1748–1817, British

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

1791

Attributed to John Carter, 1748–1817, British

Line of Buildings on East Side, Dean's Yard

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Continuation of Details

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Window, Dean's Yard

between 1806 and 1815

Print made by unknown artist

Plate I. Memorials of the Commissioners for Improving Westminster, 1811

1811

Attributed to John Carter, 1748–1817, British

Continuation of Detail

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Continuation of Detail

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Detail, Dean's Yard

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Figure study, Henry VII Chapel

ca. 1793

unknown artist

North Foreland Light House

after 1814