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1. Tivoli with the Temple of the Sybil and the Cascades

Tivoli with the Temple of the Sybil and the Cascades
Creator:
Joseph Mallord William Turner, 1775–1851, British
Date:
between 1796 and 1797
Medium:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 21 5/8 inches (41.9 x 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Sculpted Plinth in the Villa Medici

Sculpted Plinth in the Villa Medici
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
undated
Medium:
Black chalk and white gouache on medium, moderately textured, blue laid paper
Dimensions:
Sheet: 7 1/2 x 9 5/8 inches (19.1 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Convent at Valmontone. November 1790

Convent at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/8 x 22 5/8 inches (41.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Capitol, Rome

The Capitol, Rome
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1923
Medium:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 12 3/16 inches (21.6 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. A View of Rome Taken from the Pincio

A View of Rome Taken from the Pincio
Creator:
William Pars, 1742–1782, British
Date:
1776
Medium:
Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Hermitage at Frascati

The Hermitage at Frascati
Creator:
John Warwick Smith, 1749–1831, British
Date:
undated
Medium:
Watercolor and graphite on very thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 3 3/4 inches (24.4 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Rome, Bridge and Castle of St. Angelo, on the Tyber

Rome, Bridge and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842, British
Date:
1818
Medium:
Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Rome; Bridge and Castle of St. Angelo on the Tyber

Rome; Bridge and Castle of St. Angelo on the Tyber
Creator:
Print made by George Hollis, 1792–1842, British
Date:
1818
Medium:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1827
Medium:
Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1827
Medium:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1827
Medium:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Arch of Janus, after Piranesi

Arch of Janus, after Piranesi
Creator:
Thomas Girtin, 1775–1802, British
Date:
between 1798 and 1799
Medium:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Italian sketchbook

Italian sketchbook
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
1754
Medium:
Graphite with white and black chalk on medium, rough, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French
Date:
between 1546 and 1590
Medium:
Line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Ruined Archway with a Line of Washing, possibly in Rome

Ruined Archway with a Line of Washing, possibly in Rome
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812, British
Date:
after 1771
Medium:
Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.
Creator:
Nathaniel Parr, active 1742–1751, British
Date:
undated
Medium:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Inside of St. Paul's Church in Rome built by Constantine the Great...

The Inside of St. Paul's Church in Rome built by Constantine the Great...
Creator:
Carington Bowles, 1724–1793, British
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Great Cascade of Spring Water at Rome call'd Travi Fountain

The Great Cascade of Spring Water at Rome call'd Travi Fountain
Creator:
Carington Bowles, 1724–1793, British
Medium:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Quirinal, or Palace of the Pope on Mount Cavallo at Rome

The Quirinal, or Palace of the Pope on Mount Cavallo at Rome
Creator:
Remi Parr, active 1723–1750, British
Date:
undated
Medium:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Inside of the Pantheon at Rome

The Inside of the Pantheon at Rome
Creator:
Carington Bowles, 1724–1793, British
Medium:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.
Creator:
Carington Bowles, 1724–1793, British
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
Creator:
Carington Bowles, 1724–1793, British
Date:
undated
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Rome in it's Original Splendor

Rome in it's Original Splendor
Creator:
unknown artist
Medium:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. In the Farnese Gardens, Rome

In the Farnese Gardens, Rome
Creator:
attributed to Thomas Girtin, 1775–1802, British
Date:
ca. 1795
Medium:
Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. In the Camp Vaccinio at Rome

In the Camp Vaccinio at Rome
Creator:
John Warwick Smith, 1749–1831, British
Date:
ca. 1777
Medium:
Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:
Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Tempio d' Antonio e Faustina

Tempio d' Antonio e Faustina
Creator:
Thomas Girtin, 1775–1802, British
Date:
between 1798 and 1799
Medium:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Embankment below Ariccia

Embankment below Ariccia
Creator:
Carlo Labruzzi, 1748–1817, Italian
Date:
undated
Medium:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 1/2 inches (37.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Blind Beggar of Tivoli

The Blind Beggar of Tivoli
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1923
Medium:
Etching on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 7 11/16 x 6 5/8 inches (19.5 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. San Carlo and San Giacomo, Rome

San Carlo and San Giacomo, Rome
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1924
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 13 7/8 inches (21.9 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. Rome, Bridge and Castle of St. Angelo on the Tyber

Rome, Bridge and Castle of St. Angelo on the Tyber
Creator:
Print made by George Hollis, 1792–1842, British
Date:
1818
Medium:
Line engraving and etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Views in the Levant: Rome with Ruins seen Through an Archway

Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Ambrogio Brambilla, active ca. 1579–1599, Italian
Date:
between 1581 and 1586
Medium:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/8 inches (39.4 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Panthei Fidelissime Dimensi Exterior et Interior

Panthei Fidelissime Dimensi Exterior et Interior
Creator:
Print made by unknown artist, sixteenth century
Date:
1553
Medium:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Ambrogio Brambilla, active ca. 1579–1599, Italian
Date:
between 1581 and 1586
Medium:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 14 1/8 inches (31.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Panthei Fidelissime Dimensi Exterior et Interior

Panthei Fidelissime Dimensi Exterior et Interior
Creator:
Print made by unknown artist, sixteenth century
Date:
1553
Medium:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 18 3/4 inches (36.5 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French
Date:
1549
Medium:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Near the Convent of S. Cosimato, in Italy

Near the Convent of S. Cosimato, in Italy
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1786 to 1819
Medium:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 1/16 inches (34 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Convent of St. Cosimato, and part of the Claudian Aqueduct

The Convent of St. Cosimato, and part of the Claudian Aqueduct
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1786 to 1819
Medium:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 20 1/8 inches (33.7 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Romans Polite to Strangers

The Romans Polite to Strangers
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1781
Medium:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, (?), 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, (?), 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Carthusian Convent at Trisulto, near Alatri

The Carthusian Convent at Trisulto, near Alatri
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Carthusian Convent at Trisulto

The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Ducal Palace at Isola di Sora

Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1791
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Carthusian Convent at Trisulto

The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Ducal Palace etc at Isola di Sora

Ducal Palace etc at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1791
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Ducal Palace at Isola di Sora

Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1791
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Monastery of La Trappe, at Casamare

Monastery of La Trappe, at Casamare
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/4 inches (39.7 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Convento del Carmine, at Isola di Sora

Convento del Carmine, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1790
Medium:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. View of Tivoli

View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770, Italian
Date:
ca. 1750
Medium:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Remains of the Claudian Aqueduct near the Convent of S. Cosimato

Remains of the Claudian Aqueduct near the Convent of S. Cosimato
Creator:
Sir Richard Colt Hoare, 1758–1838, British
Date:
1786 to 1819
Medium:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Opening of the Carnival at Rome

The Opening of the Carnival at Rome
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1781
Medium:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Horse Race at Rome During the Carnival

The Horse Race at Rome During the Carnival
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1781
Medium:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Victor Conducted in Triumph

The Victor Conducted in Triumph
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1781
Medium:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Thermae of Caracalla

No cover image available
Creator:
Sir David Young Cameron, 1865–1945, British
Date:
1923
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

58. Villa d'Este: Evening

No cover image available
Creator:
George Percival Gaskell, 1868–1934, British
Date:
undated
Medium:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 x 10 13/16 inches (44.5 x 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. The Horse Race at Rome During the Carnival

No cover image available
Creator:
Thomas Sandby, 1721–1798, British
Date:
ca. 1781
Medium:
Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection