<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Exhibition History Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)

Remove constraint Exhibition History: Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)

Genre cityscape

Remove constraint Genre: cityscape

Associated Places Pont Neuf

Remove constraint Associated Places: Pont Neuf

Search Results

View of the Pont St.Michel, taken from the Pont Neuf
Creator:
Thomas Girtin, 1775–1802, British
Date:
1803
Medium:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 1/8 x 12 3/16in. (18.1 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802, British
Date:
1803
Medium:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 7 7/8 × 19 inches (20 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802, British
Date:
1802
Medium:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 7 × 18 inches (17.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, etc.
Creator:
Thomas Girtin, 1775–1802, British
Date:
ca. 1802
Medium:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 8 1/4 × 21 inches (21 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
Creator:
Thomas Girtin, 1775–1802, British
Date:
1803
Medium:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection