Exhibition History: The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) / Genre: landscape

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Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

Genre landscape

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Joseph Mallord William Turner, 1775–1851, British

Folkestone Harbour and Coast to Dover

ca. 1829

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Peat Bog, Scotland

1812

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869, British

Folkstone: Harbour, and Coast to Dover, Kent

1831

Print made by David Lucas, 1802–1881, British

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Print made by David Lucas, 1802–1881, British

Vignette, Hampstead Heath, Middlesex

1831

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by David Lucas, 1802–1881, British

Salisbury Cathedral

1837

Print made by David Lucas, 1802–1881, British

Old Sarum

1829 to 1830

Print made by John Sell Cotman, 1782–1842, British

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817

Print made by Edward Calvert, 1799–1883, British

The Bride

1828

Print made by Edward Calvert, 1799–1883, British

The Sheep of His Pasture

ca. 1828

Print made by William Miller, 1796–1882, British

Modern Italy

1842

Print made by Robert Wallis, 1794–1878, British

Stone Henge

1829

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1833

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

Free Natives of Dominica

1780

Print made by Edward Calvert, 1799–1883, British

The Return Home

1830

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

The Field of Waterloo

1830

Print made by John Crome, 1768–1821, British

Mousehold Heath, Norwich

between 1810 and 1811

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