Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) / Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

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Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Joseph Mallord William Turner, 1775–1851, British

Folkestone Harbour and Coast to Dover

ca. 1829

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Peat Bog, Scotland

1812

Print made by Charles Turner, 1774–1857, British

A Shipwreck

1806

Print made by James Duffield Harding, 1798–1863, British

Leeds

1823

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by George Cooke, 1781–1834, British

Tintagel Castle, Cornwall

1818

Print made by John Horsburgh, 1791–1869, British

Folkstone: Harbour, and Coast to Dover, Kent

1831

Print made by Robert Brandard, 1805–1862, British

Between Quilleboeuf and Villequier

1834

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by Robert Wallis, 1794–1878, British

Dudley, Worcestershire

1835

Print made by William Radclyffe, 1780–1855, British

Keswick Lake, Cumberland

1837

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by William Miller, 1796–1882, British

The Grand Canal, Venice

1838

Print made by Charles Turner, 1774–1857, British

Shields, on the River Tyne

1823

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

Colebrook Dale

1825

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by William Miller, 1796–1882, British

Rouen

1834

Print made by William Miller, 1796–1882, British

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878, British

Stone Henge

1829

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by William Bernard Cooke, 1778–1855, British

Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)

1823 to 1827

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