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Exhibition History The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)

Remove constraint Exhibition History: The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)

Image Use Free to Use

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Subject Terms portrait

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Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741, German, active in France
Date:
1738
Medium:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 9/16 x 18 1/8in. (62.4 x 46cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741, German, active in France
Date:
1738
Medium:
Color printed mezzotint; progress proof on medium, slightly textured cream laid paper
Dimensions:
Sheet: 24 3/16 x 18 1/4in. (61.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741, German, active in France
Date:
1738
Medium:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 x 18 1/4in. (61.6 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of Lieutenant General Edmund Ludlow
Creator:
Robert White, 1645–1703, British
Date:
1689
Medium:
Plumbago on vellum
Dimensions:
Sheet: 5 × 3 3/8 inches (12.7 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery
Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741, German, active in France
Date:
1738
Medium:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 × 18 5/16 inches (61.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection