Exhibition HistoryRomantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
2
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
3
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
4
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
5
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
6
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
7
John Flaxman, 1755–1826, British
Samuel Johnson
1788
8
John Flaxman, 1755–1826, British
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
9
Print made by James Gillray, 1756–1815, British
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
10
James Gillray, 1756–1815, British
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets