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Exhibition History A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)

Remove constraint Exhibition History: A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)

Associated Places Asia

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Mountain Road near Platres, Cyprus
Creator:
David Bomberg, 1890–1957, British
Date:
1948
Medium:
Oil on canvas
Dimensions:
26 x 30in. (66 x 76.2cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Plains of Bengal, from above Siligoree
Creator:
Edward Lear, 1812–1888, British
Date:
1874
Medium:
Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
Creator:
Justinian Gantz, 1802–1862
Date:
1845
Medium:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 × 20 1/8 inches (32.7 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Creator:
Samuel Howitt, 1756–1822, British
Date:
1807
Medium:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Creator:
Samuel Howitt, 1756–1822, British
Date:
1807
Medium:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection