Near Maharraka, 6:00 p.m., February 13, 1867 (458)
1867
305
Edward Lear, 1812–1888, British
Maharraka, 7:30 am, 14 February 1867 (464)
1867
306
Edward Lear, 1812–1888, British
Maharraka, 7:35 am, 14 February 1867 (465)
1867
307
Edward Lear, 1812–1888, British
Korti
1867
308
Edward Lear, 1812–1888, British
Boat on the Nile
January - March 1867
309
Edward Lear, 1812–1888, British
Near El Azerat
1867
310
Edward Lear, 1812–1888, British
Es Shoorafa, near Mensheeh
1867
311
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
312
Edward Lear, 1812–1888, British
Ramle
1867
313
Edward Lear, 1812–1888, British
San Marino from Ravenna
1867
314
Edward Lear, 1812–1888, British
Desenzano
1867
315
Edward Lear, 1812–1888, British
El Areesh
1867
316
Edward Lear, 1812–1888, British
El Areesh
1867
317
Edward Lear, 1812–1888, British
Deir Kadige
1867
318
Edward Lear, 1812–1888, British
Venice, the Doge's Palace
undated
319
Edward Lear, 1812–1888, British
Nice from the Genoa Road
1865
320
Edward Lear, 1812–1888, British
Albenga
1864
321
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28 Proof Impression
ca. 1820
322
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
323
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
324
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
325
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
326
William Blake, 1757–1827, British
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
327
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
328
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
329
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
330
Edward John Poynter, 1836–1919, British
Isola San Giulio, Lago d'Orta
1898
331
Print made by Sir Frank Short, 1857–1945, British
Narcissus and Echo
1896
332
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
333
Thomas Bradshaw, Born 1767, British
From the Beach near Fort Blanc, Oct. 4, 1819
1819
334
William Callow, 1812–1908, British, active in France
The Royal Citadel and Cattewater, Plymouth
1842
335
James Holland, 1799–1870, British
The Zattere, Sunset
undated
336
James Duffield Harding, 1798–1863, British
Naples from the Strada Nouva, Nov.26, 1830
1830
337
James Duffield Harding, 1798–1863, British
The Grand Canal, Venice
1835
338
attributed to George Jones, 1786–1869, British
Cliffs and a Cove
1813
339
Lt. Humphrey John Julian, active 1842–1849
Sir William Norris Bungalow, Penang
1844
340
Paul Sandby Munn, 1773–1845, British
Pale Melancholy
ca. 1804
341
John Absolon, 1815–1895, British
Family Group
undated
342
William Wyld, 1806–1889, British
View of Gibraltar
undated
343
Gaspard Le Marchant Tupper, 1862–1906
The Harbour of Sebastopol
1854
344
George Lothian Hall, 1825–1888, British
The South Barracks, Gibraltar
1844
345
James Holland, 1799–1870, British
Barges on a Canal in Rotterdam
1845
346
Thomas Harrison, 1744–1829, British
Design for Grosvenor Bridge, Chester
ca. 1825
347
William Pitts, 1790–1840, British
Helios
undated
348
John Frederick Lewis, 1804–1876, British
Venice: The Grand Canal and Rialto
1838
349
William Callow, 1812–1908, British, active in France
Plymouth Dockyard after the Fire
1840
350
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
351
attributed to William Parrott, 1813–ca. 1869, British
The Port of London
1839
352
John O'Connor, 1830–1889, British
Belfast from Bunker's Hill / On the Road to Hollywood
undated
353
Sir David Young Cameron, 1865–1945, British
The Abbazia, Venice
1900
354
George Vicat Cole, 1833–1893, British
The Mill Pond, Evelyn Woods
1860
355
unknown artist, nineteenth century
Shanklin Church/ Isle of Wight
undated
356
Gaspard Le Marchant Tupper, 1862–1906
Cape Aia and Balaklava Bay, 1854
1854
357
William Simpson, 1823–1899, British
The Village Well
1864
358
Michel Jean Cazabon, 1813–1888, Trinidadian
Los Gallos, Icacos Bay
1857
359
Michel Jean Cazabon, 1813–1888, Trinidadian
View from Laventille Hill
1857
360
William Callow, 1812–1908, British, active in France
View of the Pont Royal
ca. 1833
361
Alfred Parsons, 1847–1920, British
Bablock Hythe, Near Oxford
1881
362
William Payne, active 1850s, British
View at Caernarvon, Wales
1826
363
Aaron Edwin Penley, 1807–1870, British
River Landscape
undated
364
George Morland, 1763–1804, British
Fisherman and Dog Sitting by the Coast
1803
365
Henry Morton, ca. 1807–1825, British
Strand Gateway, Winchelsea
undated
366
Henry Morton, ca. 1807–1825, British
Windmill on the Sea Coast Near Hastings
undated
367
Print made by Joseph Skelton, active 1820–1850
Christ Church from the Meadows
between 1820 and 1823
368
Patrick Nasmyth, 1787–1831, British
Battersea Fields, Painted for Charles Matthews, Esq
undated
369
unknown artist, nineteenth century
Aquatic Landscape; Men with Boats and Fishtraps
1860s
370
John Dillwyn Llewelyn, 1810–1882, British
Piscator, no. 2
1856
371
Victor A. Prout, active 1835–1877, British
Kew Bridge
1862
372
James Valentine, 1815–1879, British
The Black Bridge
1860s
373
unknown artist, nineteenth century
Cox’s Cave, Cheddar
ca. 1880
374
William Henry Fox Talbot, 1800–1877, British
Reflected Trees, Lacock
1841 to 1842
375
Print made by Edward Goodall, 1795–1870, British
Fingal's Cave, Staffa
1834
376
Print made by William Forrest, 1802–1889
Fingal's Cave Staffa
1836
377
Thomas Girtin, 1775–1802, British
Sandsend, Yorkshire
1802
378
Thomas Rowlandson, 1756–1827, British
The Launching of H.M.S. 'Hibernia' 1804
ca. 1804
379
Sir Francis Seymour Haden, 1818–1910, British
By Twickenham
1865
380
Thomas Shotter Boys, 1803–1874, British
L'Institut de France, Paris
1830
381
unknown artist
Old House at Fonthill, Wiltshire
between 1800 and 1810
382
Print made by John Luard, 1790–1875, British
Simla
between 1832 and 1838
383
Attributed to Charles Bentley, 1806–1854, British
Old Men O'War
undated
384
unknown artist
Druidical Remains
undated
385
Henry Edridge, 1769–1821, British
The Hon. George Pryse Cambell (1793-1858), as a Midshipman
1805
386
Francis Oliver Finch, 1802–1862, British
Valley of Rocks, Lynton, North Devon
undated
387
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
388
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
389
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
390
Thomas Rowlandson, 1756–1827, British
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
391
Henry Thomas Alken, 1785–1851, British
Snipe Shooting
undated
392
Hablot Knight Browne, 1815–1882, British
The Sporting Parson: "He Then Goes in For Baptism"
undated
393
Henry Thomas Alken, 1785–1851, British
Steeplechasing: Three Riders Taking a Brook, Spectators on Right
undated
394
Henry Thomas Alken, 1785–1851, British
Steeplechasing: The Field taking a Stone Wall and Gate
undated
395
Thomas Rowlandson, 1756–1827, British
The Launching of a Ship
ca. 1800
396
Print made by J. S. Cooper, active 1885, British
Sheep
ca. 1880
397
Print made by William Richardson, active 1842–1877, British
Ashestiel
1835
398
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
399
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
400
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)