Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
702
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
703
Henry Thomas Alken, 1785–1851, British
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
704
Henry Thomas Alken, 1785–1851, British
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
705
Henry Thomas Alken, 1785–1851, British
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
706
Thomas Rowlandson, 1756–1827, British
Evading the Toll
between 1805 and 1810
707
James Pollard, 1792–1867, British
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
708
unknown artist
Fish Market, Boulogne
undated
709
Print made by George Cruikshank, 1792–1878, British
Blear-Eyed Moll
ca. 1832
710
Print made by George Cruikshank, 1792–1878, British
Cue in a Corner
1855
711
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
712
Print made by George Cruikshank, 1792–1878, British
Adams's Visit to Parson Trulliber
ca. 1831
713
Print made by George Cruikshank, 1792–1878, British
Poor Little Rose
undated
714
Print made by George Cruikshank, 1792–1878, British
Pisces - Too Deep!
undated
715
Print made by George Cruikshank, 1792–1878, British
Davy Jones
undated
716
Print made by George Cruikshank, 1792–1878, British
The Tailors Baffling the Bailiff
undated
717
Print made by George Cruikshank, 1792–1878, British
Peg Todd, as Head Nurse
undated
718
Print made by George Cruikshank, 1792–1878, British
Untitled
undated
719
Print made by George Cruikshank, 1792–1878, British
Untitled
undated
720
Print made by George Cruikshank, 1792–1878, British
Gemini - Odd-fellows
undated
721
Print made by George Cruikshank, 1792–1878, British
The Commodore's Wedding
undated
722
Print made by George Cruikshank, 1792–1878, British
Turning the Tables
undated
723
Print made by George Cruikshank, 1792–1878, British
"Captain Kelly conveys a slight remonstance"
undated
724
Print made by George Cruikshank, 1792–1878, British
Mr Crump's Extreme Politeness
undated
725
Print made by George Cruikshank, 1792–1878, British
Capricornus - A Caper- o' - corns
undated
726
Print made by George Cruikshank, 1792–1878, British
Sagittarius - The Archer (Not "Venus' Son Divine.")
undated
727
Richard Gilson Reeve, 1803–1889
Coaching: The Taglioni Windsor Coach
1837
728
Print made by Alfred Henry Forrester, 1804–1872, British
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
729
David Cox, 1783–1859, British
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
730
Michael Angelo Hayes, 1811–1880, British
A Soldier's Knapsack: Two Studies, Side and Front View
undated
731
George Buchanan Wollaston, Active 1879–1886
London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882
1881
732
Thomas Rowlandson, 1756–1827, British
The Gardener's Offering
between 1803 and 1805
733
Print made by Alfred Henry Forrester, 1804–1872, British
Why... Because..
undated
734
Sir David Wilkie, 1785–1841, British
Johnny and His Pony
1836
735
Joshua Cristall, 1768–1847, British
A Groom, Berkshire
ca. 1816
736
Michael Angelo Hayes, 1811–1880, British
Two Shakos of the Dublin Militia: One Green, One Red
undated
737
Luke Clennell, 1781–1840, British
Loading a Wagon
1813
738
Print made by David Allan, 1744–1796, British, born in Scotland
Patie Rebukes Roger
1808
739
Print made by David Allan, 1744–1796, British, born in Scotland
Glaud and Peggy
1808
740
Print made by David Allan, 1744–1796, British, born in Scotland
Patie and Peggy
1808
741
Robert Havell, 1769–1832, British
Crofton
1813
742
Robert Havell, 1769–1832, British
Crofton
1813
743
Print made by William Richardson, active 1842–1877, British
Crossing the Brook
between 1859 and 1861
744
Henry Thomas Alken, 1785–1851, British
The Ice-Wagon
undated
745
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
746
Sir George Hayter, 1792–1871, British
Netting Deer in Richmond Park
undated
747
William Henry Hunt, 1790–1864, British
The Gamekeeper
1834
748
Charles B. Newhouse, fl. c.1820–1836, British
An Elopement by Moonlight
1834
749
Samuel Prout, 1783–1852, British
A Diligence, Front View
undated
750
Samuel Prout, 1783–1852, British
Studies of Peasants, Diligences, and Hay Wagons
undated
751
Charles Cooper Henderson, 1803–1877, British
Unloading the Luggage From The Exeter Coach
undated
752
Thomas Rowlandson, 1756–1827, British
How to Vault in the Saddle
1813
753
Charles Turner, 1774–1857, British
Backswords
1810
754
Charles Turner, 1774–1857, British
Wrestling
1810
755
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Rag Gatherers
1858
756
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Exhibits a Vindictive Character
1835
757
Print made by George Cruikshank, 1792–1878, British
"That aint him!"
undated
758
Print made by George Cruikshank, 1792–1878, British
The First Step
undated
759
Print made by George Cruikshank, 1792–1878, British
Mr. Weazel Renews an Old Friendship
undated
760
Print made by George Cruikshank, 1792–1878, British
An Awkward Post
undated
761
Print made by George Cruikshank, 1792–1878, British
Hatchway's Eagerness to Meet Peregrine
ca. 1830
762
Print made by George Cruikshank, 1792–1878, British
The Capture of Coldough and Harvey
undated
763
George Louis Palmella Busson Du Maurier, 1834–1896, French, active in Britain
Women and their Garments Artistically Described
1874
764
unknown artist, ( English School ) nineteenth century
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
765
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Monitors
1887
766
Thomas Rowlandson, 1756–1827, British
Preparatory sketch for 'Dr Syntax Sketching the Lake'
1812
767
Thomas Rowlandson, 1756–1827, British
The Vicar of Wakefield: Frontispiece
1817
768
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Open Book
1861
769
Peter DeWint, 1784–1849, British
Harvesters in Landscape in Sussex
ca. 1820
770
Sir John Everett Millais, 1829–1896, British
Awful Protection Against Midges
1853
771
Hablot Knight Browne, 1815–1882, British
The Shyer suddenly Departs but not in Peace
undated
772
George Bryant Campion, 1796–1870, British
Boats Loading in a River
undated
773
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Bunting
1887
774
Thomas Rowlandson, 1756–1827, British
The Welcome
ca. 1817
775
Thomas Rowlandson, 1756–1827, British
The Vicar's Family on the Road to Church
ca. 1817
776
Thomas Rowlandson, 1756–1827, British
Fortune-Telling
ca. 1817
777
Thomas Rowlandson, 1756–1827, British
Dr. Syntax Bound to a Tree by Highwaymen
1820
778
Thomas Rowlandson, 1756–1827, British
A Potter Going Out
between 1815 and 1820
779
Thomas Rowlandson, 1756–1827, British
Dr Syntax Meditating on the Tombstones
1820
780
Thomas Rowlandson, 1756–1827, British
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
781
Thomas Rowlandson, 1756–1827, British
The Gaming Table
1801
782
Thomas Rowlandson, 1756–1827, British
An Old Coquette Outstood her Market
between 1815 and 1820
783
Thomas Rowlandson, 1756–1827, British
Plymouth Dock
1817
784
Thomas Rowlandson, 1756–1827, British
Quakers' Meeting
ca. 1810
785
Thomas Rowlandson, 1756–1827, British
Kitty Overcome
1821
786
Thomas Rowlandson, 1756–1827, British
Dr. Syntax Attends the Execution
1820
787
Thomas Rowlandson, 1756–1827, British
Death Turned Pilot
between 1815 and 1816
788
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
789
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
790
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
791
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
792
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
793
Henry Thomas Alken, 1785–1851, British
A Charging Mameluke Firing a Pistol
ca. 1823
794
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
795
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 39: Mounted Hussars
1823
796
Henry Thomas Alken, 1785–1851, British
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
797
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
798
Henry Thomas Alken, 1785–1851, British
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
799
Henry Thomas Alken, 1785–1851, British
Turbaned Cavalryman Standing Beside a Horse
undated
800
Henry Thomas Alken, 1785–1851, British
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse