Le Colonnacce, Rome: Remains of the Inner Walls of the Forum of Nerva
ca. 1840
103
Edward Burne-Jones, 1833–1898, British
Cupid and Psyche
ca. 1870
104
Print made by Frederick Stacpoole, 1813–1907, British
The Palm Offering
1868
105
Charles Robert Cockerell, 1788–1863, British
The Temple of Aphaia at Aegina: Ground Floor Plan
undated
106
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
107
Joshua Cristall, 1768–1847, British
Family Posed in Front of a Doorway
undated
108
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London
between 1825 and 1826
109
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1845
110
Print made by Miles Edmund Cotman, 1810–1858, British
The Devil's Tower, Norwich Oct. 1841
1847
111
unknown artist
Kowloon China, looking towards Hong Kong Island
undated
112
Thomas Stothard, 1755–1834, British
Design for the Grand Staircase at Buckingham Palace, South View
1828
113
Thomas Stothard, 1755–1834, British
Design for the grand staircase at Buckingham Palace, North View
1828
114
Thomas Stothard, 1755–1834, British
Design for the grand staircase at Buckingham Palace, West View
1828
115
Joshua Cristall, 1768–1847, British
Dover Pier
1807
116
Print made by Miles Edmund Cotman, 1810–1858, British
From the Garden front of my Father's House at Thorpe next Norwich
1847
117
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
118
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Plan
1829
119
Thomas Danby, 1818–1886, British
The Passing of 1880
ca. 1880
120
Charles Robert Cockerell, 1788–1863, British
The Temple of Aphaia at Aegina: Molding Details
undated
121
Charles Robert Cockerell, 1788–1863, British
The Temple of Aphaia at Aegina: Two Elevations
1860
122
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
123
Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 1
1870
124
Print made by Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 2
after 1880
125
Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 2
after 1880
126
James Gillray, 1756–1815, British
A Morning Ride
1804
127
Alfred Diston, active 1818–1829
View of Port Orotava, Tenerife, from El Limpio de Las Calaveras
undated
128
Jonathan Girtin, ca.1780–aft.1820
Landscape with an Abbey
1805
129
Print made by William James Ward, ca. 1800–1840, British
The Infant Hercules
1819
130
Print made by William Whiston Barney, active 1805–1817, British
Her Grace the Duchess of Devonshire
1808
131
Joseph Nash, 1808–1878, British
Levens, Westmoreland, The Small Drawing Room
1873
132
G. T. Payne, active 1837–1850
Admiral Sir E.W.C.R. Owen
1849
133
Print made by James T. Willmore, 1800–1863, British
Mercury and Argus
1841
134
Print made by John Cousen, 1804–1880, British
Mercury and Herse
1842
135
Isaac Weld, 1774–1856, Irish
Castle of Ostia with Mountains in the Distance
1818
136
Isaac Weld, 1774–1856, Irish
The Colosseum, Rome
1818
137
Sir Charles D'Oyly, 1781–1845, British, active in India
Government House from St. Andrew's Library - Calcutta
undated
138
Print made by Leopold Flameng, 1831–1911, French
Grolier with the Printer Aldus Manutius
1882
139
Isaac Weld, 1774–1856, Irish
Caernarvon (Castle)
1809
140
Isaac Weld, 1774–1856, Irish
Conway (Castle, North Wales), Nov. 1809
1809
141
unknown artist
The Taj Mahal from the River
1818
142
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
143
Print made by Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
144
John Absolon, 1815–1895, British
Trees by a Pool
Undated
145
Thomas Williamson, active 1802
Tired Gypsies
1805
146
Thomas Williamson, active 1802
The Young Dealer
1805
147
Print made by William Clerk, ? 19th c.
The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
after 1840
148
Charles G. Lewis, 1808–1880, British
Celebration of the 4th June at Eton
1837
149
Print made by Charles Turner, 1774–1857, British
Okehampton Castle, on the River Okement
1825
150
Print made by Thomas Girtin, 1775–1802, British
View of the Village of Chaillot Taken from the Pont de la Concorde
1800 to 1802
151
Alfred Ashley, active 1850, British
Old London Bridge
152
Charles Rosenberg, active 1828–1848
Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
153
James H. Kernot, active early 19th century
Bank of England Royal Exchange
1800
154
Louis Haghe, 1806–1885, British
His Majesty's Ship Britannia Returning to Port
ca. 1840
155
Print made by Thomas Talbot Bury, 1811–1877, British
The Royal Naval School at New Cross
undated
156
R. Hixon, active 1813
Barouche
1812
157
R. Hixon, active 1813
A Tandem
1812
158
Thomas Goff Lupton, 1791–1873, British
Racing: Fleur-de-Lis
1828
159
Charles Hunt, 1803–1877, British
Racing: Blue Bonnet. The Winner of the great St. Leger Stakes at Doncaster 1842
1842
160
Charles Hunt, 1803–1877, British
Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838
1838
161
Charles Hunt, 1803–1877, British
Shooting [A Pair]: 1. The Sportsman's Visit
1829
162
Niccoló Schiavonetti, 1771–1813, Italian
Rustic Benevolence
1804
163
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
164
Print made by Henry Burn, active 1845
Bedford from the North
ca. 1840
165
William Haydon Fuge, active ca. 1849–1866, British
Rev. Charles Forster
undated
166
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
167
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
168
William Wilkins, 1778–1839, British
Cluny Castle, Aberdeenshire, Scotland: Elevation
ca. 1816
169
William Wilkins, 1778–1839, British
Cluny Castle, Aberdeenshire, Scotland: Elevation
ca. 1816
170
Print made by Thomas Faulkner, active 1825–1838
Principal Entrance to the Gas Works, Westminster
ca. 1830
171
John Linnell, 1792–1882, British
Earl Talbot's Hound, Thomasine
1839
172
Print made by R. F. Cahusac, active 1830, British
Athenaeum
1830
173
Print made by Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
174
Print made by Charles Blair Leighton, 1823–1855, British
Grouse Shooting
1852
175
Gideon Yates, active 1825–1837, British
Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc
1826
176
Sir Jeffry Wyatville, 1766–1840, British
Dinton House, Wiltshire: Elevation
ca. 1812
177
Charles Hunt, 1803–1877, British
Brighton Hurdle Race, Dec. 20th 1833: Coming In
1833
178
James Pollard, 1792–1867, British
Coursing [a pair]: 2. Coursing, a View in Hatfield Park
1824
179
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
ca. 1835
180
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
181
unknown artist
[Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale
1844
182
unknown artist
[Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale
1844
183
Roger Fenton, 1819–1869, British
General Bosquet & Captain Dampierre
1855
184
Roger Fenton, 1819–1869, British
Three Croat Chiefs
1855
185
Roger Fenton, 1819–1869, British
Windermere
ca. 1858
186
Thomas Allason, 1790–1852, British
Isthmus of Corinth, 32
1814
187
James Pollard, 1792–1867, British
Coursing [a pair]: 1.Coursers taking the Field at Hatfield Park
1824
188
after Henry Thomas Alken, 1785–1851, British
Fox Hunting: Leicestershire - Getting Away
1827
189
Edward W. Trendall, active 1816–1848
Grandstand on the Race Ground at Epsom
undated
190
unknown artist
[Horse Race at Rome, 1844] 1-3 Dedicated..to the Stewards of Chesterfield Hunt Rsaes at Rome 1844. 4. To the Rt. Hon. Lord Viscount Powerscourt..This Plate Represents the Races..at Rome March 1844..dedicated by Luis Piale
1844
191
Charles Hunt, 1803–1877, British
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
1835
192
Charles Hunt, 1803–1877, British
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
1835
193
Charles Hunt, 1803–1877, British
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
1835
194
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
ca. 1835
195
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
ca. 1835
196
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
ca. 1835
197
unknown artist
Ornament in Hollow, above Angular and Clerestory Windows
1826
198
Edward Middleton Barry, 1830–1880, British
Plans and Elevation of the English Protestant Church at Naples