Period: 19th century / Width [cm]: 31 / Subject Terms: river - YCBA Collections Search Search Results

Thomas Lound, 1802–1861, British

A View near Norwich

ca. 1850

Not on view

Thomas Creswick, 1811–1869, British

View on the Hudson River

ca. 1843

Not on view

Hercules Brabazon Brabazon, 1821–1906, British

Landscape with Industrial Buildings by a River

ca. 1890

Not on view

Richard Redgrave, 1804–1888, British

The Moorhen's Haunt

1846

Not on view

John Linnell, 1792–1882, British

In Dovedale

1814 to 1815

Not on view

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Joseph Mallord William Turner, 1775–1851, British

View of Hampton Court, Herefordshire, from the Southeast

ca. 1806

Edward Lear, 1812–1888, British

Deir Kadige, 1:00 p.m., January 2, 1867

1867

Edward Lear, 1812–1888, British

Near Mesghouneh

1867

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1834

Print made by Edward Francis Finden, 1791–1857, British

Cologne

1832-1834

John Linnell, 1792–1882, British

Scene in Kent

undated

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814-1826

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Cornelius Varley, 1781–1873, British

Landscape with Windmill

1853

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Anthony Vandyke Copley Fielding, 1787–1855, British

Richmond Hill

1830

Richard Redgrave, 1804–1888, British

Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

1837

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by James T. Willmore, 1800–1863, British

Bedford, Bedfordshire

1831

Print made by Robert Brandard, 1805–1862, British

Château de Tancarville with Town of Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862, British

La Chaise de Gargantua near Duclair

1834

Print made by Robert Brandard, 1805–1862, British

Blois

1833

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Edwin Edwards, 1823–1879, British

A Town

1866

Sir Francis Seymour Haden, 1818–1910, British

The Mill-Wheel

1874

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878, British

Cowes, Isle of Wight

1830

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by Edward Goodall, 1795–1870, British

Fall of the Tees, Yorkshire

1827

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by William Radclyffe, 1780–1855, British

Blenheim, Oxfordshire

1833

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by William Radclyffe, 1780–1855, British

Caernarvon Castle, Wales

1835

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by Robert Wallis, 1794–1878, British

Warwick Castle, Warwickshire

1832

Francis Oliver Finch, 1802–1862, British

Classical Landscape with Figures

undated

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Thomas Girtin, 1775–1802, British

View of the Pont St.Michel, taken from the Pont Neuf

1803

Print made by John Bell, 1811–1895, British

Charon's Boat

between 1838 and 1850

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Edward Goodall, 1795–1870, British

Aldborough, Suffolk

1827

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1819-1826

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1829

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by William Radclyffe, 1780–1855, British

Eton College

1831

Print made by Robert Wallis, 1794–1878, British

Buckfastleigh Abbey

1828

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Sir Francis Seymour Haden, 1818–1910, British

Cowdray

1882

Sir Frank Short, 1857–1945, British

Entrance to the Mersey

1890

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx, No. 1

1896

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Period 19th century

Width [cm] 31

Subject Terms river

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Period 19th century

Width [cm] 31

Subject Terms river

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