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John Constable Coastal Scene with Cliffs
John Constable, 1776–1837, British
Coastal Scene with Cliffs
ca. 1814
Not on view
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
ca. 1821
Not on view
John Constable A Cloud Study, Sunset
John Constable, 1776–1837, British
A Cloud Study, Sunset
ca. 1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
ca. 1821
Not on view
John Constable Hadleigh Castle
John Constable, 1776–1837, British
Hadleigh Castle
1828 to 1829
Not on view
Edward Lear The Marble Rocks — Nerbudda Jubbolpore
Edward Lear, 1812–1888, British
The Marble Rocks — Nerbudda Jubbolpore
1882
Not on view
William Blake Virgin and Child
William Blake, 1757–1827, British
Virgin and Child
1825
Not on view
Thomas Webster A Study of 'The Schoolroom'
Attributed to Thomas Webster, 1800–1886, British
A Study of 'The Schoolroom'
ca. 1820
Not on view
William Turner of Oxford Shepherd Boy on a Hillside
William Turner of Oxford, 1789–1862, British
Shepherd Boy on a Hillside
ca. 1840
Not on view
William Hilton Cupid Armed
William Hilton, 1786–1839, British
Cupid Armed
ca. 1833
Not on view
George Chinnery Indian Landscape with Temple
George Chinnery, 1774–1852, British
Indian Landscape with Temple
ca. 1815
Not on view
John Linnell Portrait of a Woman, Probably Mrs. Price of Rugby
John Linnell, 1792–1882, British
Portrait of a Woman, Probably Mrs. Price of Rugby
1835
Not on view
Henry Scott Tuke Portrait of Nicola Luciani
Henry Scott Tuke, 1858–1929, British
Portrait of Nicola Luciani
between 1913 and 1914
Not on view
Richard Parkes Bonington In the Forest at Fontainebleau
Richard Parkes Bonington, 1802–1828, British
In the Forest at Fontainebleau
ca. 1825
Not on view
George Sidney Shepherd The Serpentine, Hyde Park
Attributed to George Sidney Shepherd, 1784–1862, British
The Serpentine, Hyde Park
mid-19th century
Not on view
Frederic Leighton The Sluggard
Frederic Leighton, 1830–1896, British
The Sluggard
ca. 1895
Not on view
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
Joseph Mallord William Turner Margate
Joseph Mallord William Turner, 1775–1851, British
Margate
ca. 1822
Joseph Mallord William Turner Lulworth Castle, Dorset
Joseph Mallord William Turner, 1775–1851, British
Lulworth Castle, Dorset
ca. 1820
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851, British
Gloucester Cathedral
between 1820 and 1826
Edward Lear Manor (Knowsley Lane?)
Edward Lear, 1812–1888, British
Manor (Knowsley Lane?)
undated
Edward Lear Toara, 11:15 a.m., January 1, 1867 (9)
Edward Lear, 1812–1888, British
Toara, 11:15 a.m., January 1, 1867 (9)
1867
Edward Lear Sowadi, 8:30 am, 4 January 1867 (65)
Edward Lear, 1812–1888, British
Sowadi, 8:30 am, 4 January 1867 (65)
1867
Edward Lear Negadeh, 1:45 pm, 17 January 1867 (190)
Edward Lear, 1812–1888, British
Negadeh, 1:45 pm, 17 January 1867 (190)
1867
Edward Lear Gebel Sheikh Embarak
Edward Lear, 1812–1888, British
Gebel Sheikh Embarak
1867
William Blake For the Sexes: The Gates of Paradise, London, 1826
William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, London, 1826
1826
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
Sir Robert Smirke the younger Remains of the Temple of Aphaea, Island of Aigina
Sir Robert Smirke the younger, 1781–1867, British
Remains of the Temple of Aphaea, Island of Aigina
1802-1804
Sir Robert Smirke the younger Architectural Drawing of the Temple of Concordia
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of the Temple of Concordia
1802-1804
Sir Robert Smirke the younger Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
Sir Robert Smirke the younger, 1781–1867, British
Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
1802-1804
Sir Robert Smirke the younger Fragment of the Capital of a Pillar
Sir Robert Smirke the younger, 1781–1867, British
Fragment of the Capital of a Pillar
1804
Sir Robert Smirke the younger Fuori della Porta di S. Lucia, Vicenza
Sir Robert Smirke the younger, 1781–1867, British
Fuori della Porta di S. Lucia, Vicenza
1804
Sir Robert Smirke the younger Sketch of an Entrance to a Palace in the Streets of Prague
Sir Robert Smirke the younger, 1781–1867, British
Sketch of an Entrance to a Palace in the Streets of Prague
1804
Sir Robert Smirke the younger One of the Upper Prague Streets
Sir Robert Smirke the younger, 1781–1867, British
One of the Upper Prague Streets
1802-1804
Sir Robert Smirke the younger Villa in the Electoral Gardens Near Dresden
Sir Robert Smirke the younger, 1781–1867, British
Villa in the Electoral Gardens Near Dresden
1802-1804
Sir Robert Smirke the younger Studies of the Architecture in Litchfield Cathedral
Sir Robert Smirke the younger, 1781–1867, British
Studies of the Architecture in Litchfield Cathedral
1807
Capt. Thomas Hastings West Cowes, From East
Capt. Thomas Hastings, 1778–1854, British
West Cowes, From East
1826
Capt. Thomas Hastings Sketch of a Park Scene with East Cowes Castle in the Distance, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Sketch of a Park Scene with East Cowes Castle in the Distance, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Near Bonchurch, Isle of Wight, 28 May 1829
Capt. Thomas Hastings, 1778–1854, British
Near Bonchurch, Isle of Wight, 28 May 1829
1829
David Lucas Sir Richard Steele's Cottage
Print made by David Lucas, 1802–1881, British
Sir Richard Steele's Cottage
1845
David Lucas Spring
Print made by David Lucas, 1802–1881, British
Spring
1829 to 1830
David Lucas Stoke by Neyland, Suffolk
Print made by David Lucas, 1802–1881, British
Stoke by Neyland, Suffolk
1829
M. Gauci William Howley, Archbishop of Canterbury
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
J. P. Quilley R. P. Bonington
J. P. Quilley, active 1828
R. P. Bonington
1831
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
Thomas Bradshaw From the Beach near Fort Blanc, Oct. 4, 1819
Thomas Bradshaw, Born 1767, British
From the Beach near Fort Blanc, Oct. 4, 1819
1819
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833, British
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
M. A. Gliddon Monger's Almshouse
M. A. Gliddon, active 1840, British
Monger's Almshouse
1843
M. A. Gliddon Clapton House
M. A. Gliddon, active 1840, British
Clapton House
1842
Lt. Gen. Charles Emilius Gold View near Auckland: Maori Warrior and Women
Lt. Gen. Charles Emilius Gold, 1803?–1871
View near Auckland: Maori Warrior and Women
1860
James Duffield Harding Fishermen's Houses at Sculcoats near Hull, Yorkshire
James Duffield Harding, 1798–1863, British
Fishermen's Houses at Sculcoats near Hull, Yorkshire
1827
Benjamin Robert Haydon Figure studies
Benjamin Robert Haydon, 1786–1846, British
Figure studies
undated
Samuel Howitt Two Hyenas
Samuel Howitt, 1756–1822, British
Two Hyenas
ca. 1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
William Bernard Cooke Lulworth Cove, Dorset
Print made by William Bernard Cooke, 1778–1855, British
Lulworth Cove, Dorset
1814
William Bernard Cooke Margate
Print made by William Bernard Cooke, 1778–1855, British
Margate
1822
William Bernard Cooke Margate
Print made by William Bernard Cooke, 1778–1855, British
Margate
1822
Robert Wallis Ramsgate
Print made by Robert Wallis, 1794–1878, British
Ramsgate
1814 to 1826
George Cooke Hythe, Kent
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
George Cooke Hythe, Kent
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
Edward Goodall Boscastle, Cornwall
Print made by Edward Goodall, 1795–1870, British
Boscastle, Cornwall
1814 to 1826
William Miller Coombe-Martin, Devonshire
Print made by William Miller, 1796–1882, British
Coombe-Martin, Devonshire
1814 to 1826
William Miller Portsmouth, Hampshire
Print made by William Miller, 1796–1882, British
Portsmouth, Hampshire
1825
Edward Goodall Boscastle, Cornwall
Print made by Edward Goodall, 1795–1870, British
Boscastle, Cornwall
1814 to 1826
George Cooke Brighton
Print made by George Cooke, 1781–1834, British
Brighton
1814 to 1826
George Cooke Brighton
Print made by George Cooke, 1781–1834, British
Brighton
1825
Robert Wallis Folkstone, Kent
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1825
Robert Wallis Folkstone, Kent
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1814 to 1826
Robert Wallis Folkstone, Kent
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1826
Robert Wallis Folkstone, Kent
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1825
Edward Goodall Mount Edgecomb, Devonshire
Print made by Edward Goodall, 1795–1870, British
Mount Edgecomb, Devonshire
1814 to 1826
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
William Bernard Cooke Views in Sussex, Publisher's Printed Wrapper
Print made by William Bernard Cooke, 1778–1855, British
Views in Sussex, Publisher's Printed Wrapper
1819