Period: 19th century / Width [cm]: 136 - YCBA Collections Search Search Results

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Period 19th century

Width [cm] 136

1. Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”

Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”

Creator:: James Ward, 1769–1859, British
Date:: ca. 1803
Medium:: Oil on canvas
Dimensions:: 33 x 47 inches (83.8 x 119.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Evening Coach, London in the Distance

The Evening Coach, London in the Distance

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Date:: 1805
Medium:: Oil on canvas
Dimensions:: 29 1/2 x 46 inches (74.9 x 116.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ruins of the Naurattan, Sasaram, Bihar

Ruins of the Naurattan, Sasaram, Bihar

Creator:: Thomas Daniell, 1749–1840, British, active in India
Date:: 1811
Medium:: Oil on canvas
Dimensions:: 38 9/16 x 53 5/8 inches (97.9 x 136.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

Creator:: John Frederick Lewis, 1804–1876, British
Date:: 1856
Medium:: Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:: Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. British, Neoclassical frame

British, Neoclassical frame

Creator:: unknown framemaker
Date:: 1st quarter of 19th century
Medium:: Wood and compo, later oil gilding over original oil and water gilding
Dimensions:: Frame: 38 1/2 × 53 1/2 × 3 3/4 inches (97.8 × 135.9 × 9.5 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art