Period: 19th century / Height [cm]: 34 - YCBA Collections Search Search Results

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 5, "The banks of the Thames...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 54, "In Great Eternity...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 55, "When those who disregard...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 56, "Then Los heaved...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 59, "And formed into Four precious stones...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 62, "Repose on me...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 65, "To decide Two Worlds...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 66, "In awful pomp & gold...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 76

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 79, "My tents are fall'n...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 80, "Encompassd by the frozen net...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 86, "I see thy Form...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 88, "Los answerd sighing...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 98, "Then each an Arrow flaming...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by Thomas Goff Lupton, 1791–1873, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1860

Print made by Thomas Goff Lupton, 1791–1873, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1858

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

unknown artist

Heidelberg

1822

John Frederick Lewis, 1804–1876, British

Tyrolese Hunters

between 1827 and 1828

Charles Bentley, 1806–1854, British

Highland Landscape with Figures

ca. 1847

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Section and Ceiling Plan of the Dairy

1795

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq

1816

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1821

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1820

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1820

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountain

1818-1823

Lewis Vaslet, 1742–1808, British

The Spoiled Child, Scene I

ca. 1802

Lewis Vaslet, 1742–1808, British

The Spoiled Child, Scene II

ca. 1802

Lewis Vaslet, 1742–1808, British

The Spoiled Child, Scene III

ca. 1802

Henry Hoppner Meyer, ca. 1782–1847, British

Joseph Farington, Esq. R.A

1814

Print made by John Le Keux, 1783–1846, British

Rome, from the Farnese Gardens

1818-1820

Print made by John Cousen, 1804–1880, British

Light Towers of the Heve

1834

George Richmond, 1809–1896, British

Effigy of a Crusader, Stisted Church

1824-1896

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

unknown artist, (Viscount Beresford?)

Garden Front of Bedgebury House - Elevation

undated

unknown artist

Palmangan

undated

unknown artist

The Farm

undated

Augustus Welby Northmore Pugin, 1812–1852, British

Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

1838

unknown artist, nineteenth century

Architecture in the Porch and Belfry of St. Alphage, London Wall

1815

Sir David Young Cameron, 1865–1945, British

Ponte Vecchio [North Italian Set: No. 21]

1895

Sir David Young Cameron, 1865–1945, British

Siena

1900

E. Stalker, active 1801–1823, American

St. Pancras Church

undated

Print made by Richard Parkes Bonington, 1802–1828, British

Rue du Gros-Horloge, Rouen

1824

unknown artist, nineteenth century

An Interior View of the Parish Church of St. Alphage, London Wall

1815

Joseph Skelton, active 1820–1850

St. Botolph, Bishopsgate

1812

Robert William Smart, active 1820–1834

Christ Church, Spitalfields

1811

unknown artist, nineteenth century

Haver Memorial in Clapham Church

undated

unknown artist

Interior and Exterior View of St. Barts the Less

1834

George Barret, ca. 1728/32–1784, Irish

River Bank With High Rocks

undated

David Hall McKewan, 1816–1875, British

Farmhouse on the River

undated

unknown artist

Milton

undated

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Lulworth Castle, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by unknown artist, nineteenth century

Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore

1821

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by George Cooke, 1781–1834, British

Edinburgh Castle, Vignette Title to Vol. I

1826

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

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Period 19th century

Height [cm] 34

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Period 19th century

Height [cm] 34

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