Period: 19th century / Height [cm]: 33 / Classification: Prints

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

Print made by Samuel Rawle, 1771–1860, British

Raby Castle, County of Durham

1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Scott, 1774–1828, British

Aske Hall

1818-1823

unknown artist

A View of the Waterloo Bridge

1816

Bartholomew Howlett, 1767–1827, British

Interior of the Choir of St. Barts the Great

1822

unknown artist, ( Dale )

Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

1820

unknown artist, ( Cook )

Inside of a Room and Saxon Ornaments of Bermondsey Abbey

1820

Sir David Young Cameron, 1865–1945, British

Veronica [North Italian Set: No. 2]

1895

Sir David Young Cameron, 1865–1945, British

The Rialto

1900

unknown artist, ( Dale )

Gateway of the Priory of the Holy Trinity, called Christchurch near Aldgate

1825

William Gauci, active 1825–1854, British

Monuments and Tablets in St. Dunstan's Church

John Saddler, 1813–1892, British

The Interior of the Transepts of the Crystal Palace

1851

unknown artist, ( Dale )

Inside of the Hall, Bermondsey Abbey

1820

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by Edward Goodall, 1795–1870, British

Land Discovered by Columbus

1834

Print made by Samuel Middiman, ca. 1750–1831, British

Moss Dale Fall

1822

Print made by Henry Le Keux, 1787–1868, British

Borthwick Castle

1819

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by Thomas Higham, 1796–1844, British

Wilton House

1825

Engraved by Henry Le Keux, 1787–1868, British

High Street, Edinburgh

1819

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Maddocks, active 1825

Hungerford Market

1825

Print made by Samuel Cousins, 1801–1887, British

Sir Thomas Lawrence P. R. A

1830

Auguste François Laby, 1784–1860

Freetown, Sierra Leone

ca. 1850

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Man Wot "Whips the House Out"

1849

Samuel William Reynolds, 1773–1835, British

Dr. Johnson

1835

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Richard Gilson Reeve, 1803–1889

One Mile from Gretna, Our Governor in Sight, --with a screw loose!

1836

Frederick Rosenberg, active 1816–1832

Opposition Coaches at Speed

1832

Bradford Rudge "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Bradford Rudge, 1805–1885

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

undated

George Hunt, active 1820–1840, British

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

1823

George Hunt, active 1820–1840, British

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

1823

George Hunt, active 1820–1840, British

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

1823

George Hunt, active 1820–1840, British

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

1823

George Hunt, active 1820–1840, British

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

1823

George Hunt, active 1820–1840, British

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

1823

Thomas Harland, active early 19th century

Charles Barry

undated

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The Open Book

1861

James Girtin, ca. 1780–after 1820

Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

1803

James Girtin, ca. 1780–after 1820

Half Title page for: Views in Paris and its Environs

1803

Print made by William Daniell, 1769–1837, British

Paul Sandby

1809

Print made by James Gillray, 1756–1815, British

A Cognocenti Contemplating ye Beauties of ye Antique

1801

Print made by Matthew Dubourg, active 1786–1838, British

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by John Doyle ('H.B.'), 1797–1868, Irish

An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

1835

George Hunt, active 1820–1840, British

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

1823

Print made by W. Pickett, active 1792–1820, British

Peaks Hole, Derbyshire

1805

Print made by François-Séraphin Delpech, 1778–1825, French

Ratisbonne

between 1818 and 1825

Auguste François Laby, 1784–1860

Freetown, Sierra Leone

ca. 1850

Charles Turner, 1774–1857, British

Francis Noel Clark Mundy and His Grandson, William

1810

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by John Franklin, c.1800–1868

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

ca. 1825

Print made by James Basire the younger, 1769–1822, British

Inside View of the East End of Merton College

1802

Print made by James Basire the younger, 1769–1822, British

Interior of Hall of Christ Church

1807

Print made by James Basire the younger, 1769–1822, British

A View of Worcester College &c

1804

William Walker, 1791–1867, British

Henry Raeburn

1826

James Gillray, 1756–1815, British

A Morning Ride

1804

Print made by Charles Turner, 1774–1857, British

Children Crying Forfeits

1826

Print made by William Ward, 1766–1826, British

Her Royal Highnes the Princess Elizabeth

1801

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by unknown artist, ( J. B. )

The Young Roscius

1804

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815, British

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Samuel William Reynolds, 1773–1835, British

James Hare

1804

Print made by James Ward, 1769–1859, British

William Henry West Betty

1805

Print made by Elizabeth Christiana Fanshawe, 1778–1856, British

Elizabeth Alexander

1806

James Watson, 1740–1790, British

Mary Bertie (née Panton) Duchess of Ancaster and Kesteven

1801

Print made by William Ward, 1766–1826, British

Mrs. Pope as Juliet

ca. 1804

Print made by George H. Phillips, active 1819–1825, British

Miss Fanny Ayton

1828

Print made by Henry Le Keux, 1787–1868, British

Aosta (vignette)

1830

Print made by Charles Turner, 1774–1857, British

Age of Innocence

1836

Print made by George H. Phillips, active 1819–1825, British

Miss Murray

1839

George Hunt "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

George Hunt, active 1820–1840, British

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..

1836