Period: 19th century / Height [cm]: 28 / Width [cm]: 38 - YCBA Collections Search Search Results

Briton Riviere, 1840–1920, British

The Old Gardener

1863

Not on view

George Jones A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

George Jones, 1786–1869, British

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

1815

Not on view

John Frederick Herring, 1795–1865, British

The Suffolk Hunt: Going to Cover near Herringswell

1833

Not on view

John Frederick Herring, 1795–1865, British

The Suffolk Hunt: Gone Away

1833

Not on view

John Frederick Herring, 1795–1865, British

The Suffolk Hunt : The Death

1833

Not on view

John Frederick Herring, 1795–1865, British

The Suffolk Hunt: Full Cry

1833

Not on view

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

A Barn with a Mossy Roof, Shoreham

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Primitive Cottage, Shoreham

undated

Attributed to Joseph Mallord William Turner, 1775–1851, British

Via Mala

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Sir Robert Smirke the younger, 1781–1867, British

Study of a Stone Wall

1802-1804

unknown artist

Heidelberg

1822

William James Muller, 1812–1845, British

Karnak

between 1838 and 1839

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1819

William Williamson, active 1803

Bombay from Malabar Point, the Night of 17th February 1803

1803

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by Josiah Henshall, 1806–1869, British

The Forum Romanum

1830

Print made by William Byrne, 1743–1805, British

Distant View of Chester

1810

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by William Miller, 1796–1882, British

Bass Rock

1826

George Sidney Shepherd, 1784–1862, British

Wandshorst Church Surrey

undated

Edward Blore, 1787–1879, British

Design for a Park Gateway

undated

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

F. Beazley, active 1865–1871, British

Tree Study

1860s

A. Booty Esq., active 1867, British

Trees in the Snow

1860s

Print made by John Horsburgh, 1791–1869, British

Folkstone: Harbour, and Coast to Dover, Kent

1831

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Richard Gilson Reeve, 1803–1889

Fox Hunting: Full Cry

1808

Richard Gilson Reeve, 1803–1889

Fox Hunting: Huntsman and hounds at inn-side

1808

Print made by Charles Jameson Grant, active 1830–1852, British

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

1833

Thomas Rowlandson, 1756–1827, British

The Gardener's Offering

between 1803 and 1805

Henry Thomas Alken, 1785–1851, British

The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

undated

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Richard Gilson Reeve, 1803–1889

Fox Hunting: The Death

1808

Print made by M. Gauci, 1810–1846

The Destruction by Fire of the Houses of Parliament

after 1834

attributed to John Sell Cotman, 1782–1842, British

Studies of Five Coffin Lids from ?Norfolk Churches

ca. 1822

Print made by Henry Heath, active 1824–1835, British

The Buck-Basket. A scene from the Merry Wives of Windsor

1827

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by George Cooke, 1781–1834, British

Critchton Castle

1819

Print made by Robert Wallis, 1794–1878, British

Warwick Castle, Warwickshire

1832

Print made by John Horsburgh, 1791–1869, British

Laugharne Castle

1833

Print made by unknown artist, nineteenth century

Coventry

1833

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Whitehaven, Cumberland

1837

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by J. C. Varrall, active 1815–1827

Rochester, Stroud and Chatham

1838

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by James Baylis Allen, 1803–1876, British

Castle Upnor

1833

Print made by William Bernard Cooke, 1778–1855, British

Nottingham

1833

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr

1834

Print made by James H. Kernot, active early 19th century

Flint Castle, North Wales

1836

Print made by S. Fisher, active 1831–1844

Mount St. Michael, Cornwall

1838

Print made by J. C. Varrall, active 1815–1827

Rochester, Stroud and Chatham

1838

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by Robert Wallis, 1794–1878, British

Dudley, Worcestershire

1835

Print made by James T. Willmore, 1800–1863, British

Powis Castle, Montgomery

1836

Print made by Thomas Jeavons, ca. 1800–1867, British

Worcester, Worcestershire

1836

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by James T. Willmore, 1800–1863, British

Llangollen

1837

Print made by Robert Wallis, 1794–1878, British

Margate, Kent

1832

James McArdell, ca. 1729–1765, Irish

The Right Honorable George Lord Anson

1821

Samuel William Reynolds, 1773–1835, British

Sir John Orde

1811

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by George Cruikshank, 1792–1878, British

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Richard Gilson Reeve, 1803–1889

Fox Hunting: Drawing the Covert

1808

Attributed to Henry Dawe, 1790–1848, British

Raglan Castle

1816

Print made by Joseph Josiah Dodd, 1809–1894, British

View of Tonbridge During the Late Election, December 18, 1832

after 1832

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by John Bell, 1811–1895, British

Diavoli Pescatori

between 1838 and 1850

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1829

Print made by Robert Brandard, 1805–1862, British

Dustanborough Castle

1830

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by James Baylis Allen, 1803–1876, British

Stoneyhurst, Lancashire

1830

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by John Horsburgh, 1791–1869, British

Malvern Abbey and Gate, Worcestershire

1832

Print made by Robert Brandard, 1805–1862, British

Gosport, Entrance to Portsmouth Harbor

1831

Charles Hunt, 1803–1877, British

Omnibus

1835

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

unknown artist, (C Marriott)

Raglan Castle, Monmouthshire, Wales: Elevation of Windows in the Barbican Towers

1831

unknown artist, (TL Walker)

Raglan Castle, Monmouthshire, Wales: Plan of Entrance Gateway

1831

Print made by Sir Frank Short, 1857–1945, British

The Victory coming up Channel with the body of Nelson on Board

1891

William Heath, 1795–1840, British

Oh Yes Believe Me. Love Has Eyes

undated

James William Giles, 1801–1870, British

Kennel Scene No. 2: Sent to Walks

1837

James William Giles, 1801–1870, British

Kennel Scene No. 3: First Dicipline [sic]

1837

James William Giles, 1801–1870, British

Kennel Scene No.4: The Mother

1837

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Upsetting of the Reform Coach

1834

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Demolishing a Prude (Vide Spectator)

1834

Print made by unknown artist

Old England's Protector. A Cabinet Picture

1832

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

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Period 19th century

Height [cm] 28

Width [cm] 38

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Period 19th century

Height [cm] 28

Width [cm] 38

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