Period: 19th century / Work Type: intaglio print / Subject Terms: men

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by Thomas Shotter Boys, 1803–1874, British

Château des Comtes de Flandre, Ghent

ca. 1833

Print made by John Sell Cotman, 1782–1842, British

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Print made by John Crome, 1768–1821, British

Back of the New Mills, Norwich

1812

Print made by Thomas Creswick, 1811–1869, British

The Blacksmith's Shop

1838

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Walter Geikie, 1795–1837, British

Edinburgh Castle and Horse Fair

1830

Sir David Young Cameron, 1865–1945, British

Via ai Prati, Genoa [North Italian Set: No. 8]

1896

Sir David Young Cameron, 1865–1945, British

The Palace of the Stuarts

1898

Sir David Young Cameron, 1865–1945, British

Siena

1900

Sir David Young Cameron, 1865–1945, British

Porta del Molo, Genoa [North Italian Set: No. 23]

1896

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Thomas Rothwell, ca. 1742–1807, British

Worcester

1795

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

Print made by George Baxter, 1804–1867, British

The Conversion of the Proconsul

after 1855

Print made by Ebenezer Challis, active 1837–1859

View between the Roofs of King's College Chapel

1836

Print made by Charles Golding Constable, 1821–1879, British

Harbour Scene

undated

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The Adam and Eve Tavern, Old Chelsea

1878

Leopold Flameng, 1831–1911, French

Van Dyck et Son Protecteur le Comte de Bristol

undated

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Print made by Robert Spence, 1871–1964, British

George Fox and the Dead Cromwell

between 1897 and 1898

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Black Lion Wharf

1859

Print made by David Allan, 1744–1796, British, born in Scotland

Glaud and Symon

1808

Print made by David Allan, 1744–1796, British, born in Scotland

Sir William Worthy and Patie

1808

Print made by David Allan, 1744–1796, British, born in Scotland

Madge and Bauldy

1808

Print made by David Allan, 1744–1796, British, born in Scotland

Sir William Worthy's Blessing

1808

Print made by George Cruikshank, 1792–1878, British

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Visitors' Boat

1887

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Île de la Cité, Paris

1859

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The "Adam and Eve," Old Chelsea

1879

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851, British

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Print made by George Cruikshank, 1792–1878, British

Blear-Eyed Moll

ca. 1832

Print made by George Cruikshank, 1792–1878, British

Cue in a Corner

1855

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878, British

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878, British

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Twelfth Night, Act V, Scene I: The Street

1803

Thomas Ryder, 1746–1810, Irish

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by George Cruikshank, 1792–1878, British

Poor Little Rose

undated

Print made by George Cruikshank, 1792–1878, British

The Tailors Baffling the Bailiff

undated

Print made by George Cruikshank, 1792–1878, British

Untitled

undated

Print made by George Cruikshank, 1792–1878, British

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by George Cruikshank, 1792–1878, British

Turning the Tables

undated

Print made by George Cruikshank, 1792–1878, British

"Captain Kelly conveys a slight remonstance"

undated

Print made by George Cruikshank, 1792–1878, British

The Murder on the Thames

1839

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard's Escape from the Cage at Willesden

1839

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Tilbury

1887

Print made by David Allan, 1744–1796, British, born in Scotland

Patie Rebukes Roger

1808

Print made by David Allan, 1744–1796, British, born in Scotland

Glaud and Peggy

1808

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Exhibits a Vindictive Character

1835

Print made by George Cruikshank, 1792–1878, British

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878, British

The Arrest of Lord Edward Fitzgerald

undated

Print made by George Cruikshank, 1792–1878, British

The First Step

undated

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Print made by George Cruikshank, 1792–1878, British

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Discovers Darrell in the Loft

1835

Print made by George Cruikshank, 1792–1878, British

The Capture of Coldough and Harvey

undated

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Monitors

1887

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Bunting

1887

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Battersea Reach

1863

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Landscape with a Fisherman

1861

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

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Period 19th century

Work Type intaglio print

Subject Terms men

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Subject Terms men

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