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Period 19th century

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Work Type intaglio print

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Width [cm] 54

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William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
George Cooke Gledhow
Print made by George Cooke, 1781–1834, British
Gledhow
1816
John Le Keux St. Agatha's Abbey, Easby
Print made by John Le Keux, 1783–1846, British
St. Agatha's Abbey, Easby
1818-1823
Charles Heath Kirkby Lonsdale Churchyard
Print made by Charles Heath, 1785–1848, British
Kirkby Lonsdale Churchyard
1818-1823
William Say Mrs. Siddons
Print made by William Say, 1768–1834, British
Mrs. Siddons
1810
James Basire the younger A View of Worcester College &c.
Print made by James Basire the younger, 1769–1822, British
A View of Worcester College &c
1804
Edward Goodall Rye, Sussex
Print made by Edward Goodall, 1795–1870, British
Rye, Sussex
1814 to 1826
William Bernard Cooke East & West Looe, Cornwall
Print made by William Bernard Cooke, 1778–1855, British
East & West Looe, Cornwall
1818
W. R. Smith The Entrance to Fowey Harbour, Cornwall
Print made by W. R. Smith, active 1819–1851
The Entrance to Fowey Harbour, Cornwall
1829
James T. Willmore Penmaen Mawr, Caernarvonshire
Print made by James T. Willmore, 1800–1863, British
Penmaen Mawr, Caernarvonshire
1832
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin The Waterworks at Marli; and St. Germain en Laye seen in the distance
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
B. Winkles Interior of Westminster Hall as Prepared for the Banquet
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
Richard Banks Harraden The Waterworks at Marli; and St. German en Laye seen in the distance
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
Thomas Talbot Bury Elevation of the River Front
Print made by Thomas Talbot Bury, 1811–1877, British
Elevation of the River Front
ca. 1835
Samuel Middiman The Catholic College of Stonyhurst Lancashire
Samuel Middiman, ca. 1750–1831, British
The Catholic College of Stonyhurst Lancashire
ca. 1830
William Say Cupid and Psyche
Print made by William Say, 1768–1834, British
Cupid and Psyche
1816
William Ward John Philip Kemble as Cato
Print made by William Ward, 1766–1826, British
John Philip Kemble as Cato
between 1800 and 1820
Richard Earlom Henry D'Esterre Darby, Esq.
Richard Earlom, 1743–1822, British
Henry D'Esterre Darby, Esq
1801
William Say Mrs. Siddons
William Say, 1768–1834, British
Mrs. Siddons
1810
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870, British
Oxford from North Hinksey
1841
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802, British
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802, British
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
George Siegmund Facius West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802, British
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
William Woollett The Rural Cott
William Woollett, 1735–1785, British
The Rural Cott
1797
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Print made by Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance
Print made by Thomas Girtin, 1775–1802, British
The Water Works at Marli and St. German en Laye seen in the distance
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
Ralph Hudson The Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820, British
The Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
Ralph Hudson Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820, British
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870, British
Oxford from North Hinksey
1841
Thomas Abiel Prior Heidelberg from the Opposite bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886, British
Heidelberg from the Opposite bank of the Neckar
1846
Thomas Abiel Prior Heidelberg from the Opposite Bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886, British
Heidelberg from the Opposite Bank of the Neckar
1846
Samuel Cousins Lady Harriet Clive
Print made by Samuel Cousins, 1801–1887, British
Lady Harriet Clive
1840
David Lucas The Cornfield
Print made by David Lucas, 1802–1881, British
The Cornfield
1833
David Lucas The Lock
Print made by David Lucas, 1802–1881, British
The Lock
1834