Period: 19th century / Work Type: intaglio print / Height [cm]: 38

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by David Lucas, 1802–1881, British

Summer Evening

1831

Print made by David Lucas, 1802–1881, British

Stratford Mill, The Young Waltonians

1834 to 1840

Print made by J. P. Quilley, active 1828

The Deluge

1828

Print made by George Cooke, 1781–1834, British

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855, British

Vale of Heathfield, Sussex

1818

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

Print made by Samuel Rawle, 1771–1860, British

Gibside, County of Durham

1819

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake near Askrig

1822

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Thomas Jeavons, ca. 1800–1867, British

Lyme Regis, Norfolk

1836

Print made by John Pye, 1782–1874, British

Paestum (vignette)

1830

Print made by James C. Allen, active 1821–1831, British

Lowestoffe

ca. 1830

Sir David Young Cameron, 1865–1945, British

Father Ambrose

1893

Print made by James Basire the younger, 1769–1822, British

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire the younger, 1769–1822, British

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822, British

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by George Cooke, 1781–1834, British

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by Henry Le Keux, 1787–1868, British

Heriot's Hospital

1822

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by Samuel Middiman, ca. 1750–1831, British

High Street, Oxford

1811

Print made by William Bernard Cooke, 1778–1855, British

Weymouth, Dorset

1813

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

The Spot where Harold Fell

1816

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

Print made by W. R. Smith, active 1819–1851

The Entrance to Fowey Harbour, Cornwall

1829

Print made by Edward Goodall, 1795–1870, British

Florence (vignette)

1830

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr, Caernarvonshire

1832

Print made by Edward Goodall, 1795–1870, British

Tivoli, a Composition

1827

Etched by Samuel Middiman, ca. 1750–1831, British

The Temple of Jupiter in the Island of Aegina

1828

Etched by Samuel Middiman, ca. 1750–1831, British

The Temple of Jupiter in the Island of Aegina

1828

Print made by Richard Cooper the Younger, 1740–1814, British

Sir William Beechey, R. A

1814

Print made by Henry Hoppner Meyer, ca. 1782–1847, British

Henry Tilson, Painter

between 1800 and 1840

Sir George Hayter, 1792–1871, British

Sir George Hayter

1822

Sir George Hayter, 1792–1871, British

H.R.H. Prince Leopold, Queen Victoria's Uncle

1816

Print made by B. Winkles, active 1830–1840, British

Longitudinal Section of Westminster Hall

ca. 1821

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Jo

1861

Samuel William Reynolds, 1773–1835, British

Thomas Girtin

1817

Print made by Matthew Dubourg, active 1786–1838, British

Snipe Shooting

1822

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1833

Print made by Edward Goodall, 1795–1870, British

The Alps at Daybreak

1834

Print made by John Samuel Agar, ca. 1773–1858, British

Sir George Beaumont, Bart

1812

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXVIII

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by Chevalier Ignace Joseph de Claussin, 1766–1844, French

James Northcote, R.A

1814

Print made by Henry Hoppner Meyer, ca. 1782–1847, British

James Northcote

1815

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by William Strang, 1859–1921, British

Francis S. Hayden

1883

Print made by Thomas Talbot Bury, 1811–1877, British

Elevation of the River Front

ca. 1835

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by William Heath, 1795–1840, British

A Naughty Boy Turn'd Out of School

1828

Print made by John Landseer, 1769–1852, British

Casade of Terni

1819

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard. No. 1

1830

Print made by Robert Wallis, 1794–1878, British

St. Maurice

1827

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard. No. II

1830

Print made by Henry Le Keux, 1787–1868, British

Aosta

1830

Print made by William Bernard Cooke, 1778–1855, British

Martigny

1830

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Edward Goodall, 1795–1870, British

Florence

1830

Sir Francis Seymour Haden, 1818–1910, British

The Breaking Up of the Agamemnon, no. 2

after 1880

Print made by Charles Heath, 1785–1848, British

Benjamin West, Esq., President of the Royal Academy of London

1818

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by William Say, 1768–1834, British

Love

c.1813

Print made by Charles Turner, 1774–1857, British

Mrs. Littleton

1827

Print made by James Ward, 1769–1859, British

Studies from Nature

1807

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808, published 1813

Charles Turner, 1774–1857, British

John Pitt, 2nd Earl of Chatham

1809

Edward Scriven, 1775–1841, British

George Colman, The Elder

1813

unknown artist

Dudley Ryder, 1st Earl of Harrowby

1813

Print made by William Miller, 1796–1882, British

The Grand Canal, Venice

1838

Charles Turner, 1774–1857, British

The Right Honourable Charles Earl Grey

1811

Samuel William Reynolds, 1773–1835, British

James Hare

1804

Print made by James Ward, 1769–1859, British

William Henry West Betty

1805

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Period 19th century

Work Type intaglio print

Height [cm] 38

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Period 19th century

Work Type intaglio print

Height [cm] 38

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