Period: 19th century / Work Type: drawing / Subject Terms: branches - YCBA Collections Search Search Results

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Period 19th century

Work Type drawing

Subject Terms branches

Samuel Palmer The Weald of Kent

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weald of Kent

between 1833 and 1834

Edward Lear North Stoke. Oct. 21.1834.

Edward Lear, 1812–1888, British

North Stoke. Oct. 21.1834

1834

Edward Lear Fruit trees, 3 April 1863

Edward Lear, 1812–1888, British

Fruit trees, 3 April 1863

1863

Edward Lear Corpo di Cava, 28 June 1838

Edward Lear, 1812–1888, British

Corpo di Cava, 28 June 1838

1838

William Blake The Entrance Front of Hayley's House at Eartham

William Blake, 1757–1827, British

The Entrance Front of Hayley's House at Eartham

1801

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 25, "And there was heard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

William Blake Jerusalem, Plate 38, "His face and bosom...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 38, "His face and bosom...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 49, "The secret coverts of Albion...."

1804 to 1820

John Absolon Family Group

John Absolon, 1815–1895, British

Family Group

undated

Thomas William Wood Birds of Paradise

Thomas William Wood, 1855–1872, British

Birds of Paradise

1862

David Charles Read Tree

Attributed to David Charles Read, 1790–1851, British

Tree

undated

unknown artist Tree

unknown artist, nineteenth century

Tree

undated

Patrick Nasmyth Part of Regent's Park

Patrick Nasmyth, 1787–1831, British

Part of Regent's Park

1805

William Henry Hunt A Fallen Oak

attributed to William Henry Hunt, 1790–1864, British

A Fallen Oak

ca. 1815

Paul Sandby Munn Landscape waith Figures, Cromach Water

Paul Sandby Munn, 1773–1845, British

Landscape waith Figures, Cromach Water

1805

Alfred Parsons A Forest Landscape near Boldrewood

Alfred Parsons, 1847–1920, British

A Forest Landscape near Boldrewood

1871

Henry Morton The Fish Ponds

Henry Morton, ca. 1807–1825, British

The Fish Ponds

undated

Hon. Daniel Finch Packington

Attributed to Hon. Daniel Finch, 1789–1868, British

Packington

1834

Hon. Daniel Finch Ashtead

Attributed to Hon. Daniel Finch, 1789–1868, British

Ashtead

1833

Robert Hills Woodland Shadow

Robert Hills, 1769–1844, British

Woodland Shadow

after 1801

Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Henry Thomas Alken, 1785–1851, British

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

Henry Thomas Alken, 1785–1851, British

"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

undated

John Linnell Tree Study (Autumn Foliage)

attributed to John Linnell, 1792–1882, British

Tree Study (Autumn Foliage)

ca. 1828

John Linnell Old Olive Tree

John Linnell, 1792–1882, British

Old Olive Tree

undated

Rev. Charles Annesley The Devil's Bridge, Aberystwyth

Rev. Charles Annesley, 1787–1863, British

The Devil's Bridge, Aberystwyth

undated

George Chinnery An Indian Torrent

George Chinnery, 1774–1852, British

An Indian Torrent

1804

George Chinnery Peasant Seated by a Doorway

George Chinnery, 1774–1852, British

Peasant Seated by a Doorway

1842

John Absolon Group of Peasants with Musical Instruments

Attributed to John Absolon, 1815–1895, British

Group of Peasants with Musical Instruments

undated

unknown artist Ruins of a Monastery with Farmyard Animals

unknown artist

Ruins of a Monastery with Farmyard Animals

undated

Edward Burne-Jones Sketches of Myrtle and a Head Crowned with Myrtle

Edward Burne-Jones, 1833–1898, British

Sketches of Myrtle and a Head Crowned with Myrtle

undated

unknown artist Landscape with Owl and Bats

unknown artist, (J. B.)

Landscape with Owl and Bats

1873

John Absolon Peasant Girls

attributed to John Absolon, 1815–1895, British

Peasant Girls

undated

Richard Dadd Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage

Richard Dadd, 1817–1886, British

Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage

1874

John Absolon Trees by a Pool

John Absolon, 1815–1895, British

Trees by a Pool

Undated