Period: 19th century / Genre: genre subject / Work Type: intaglio print

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Robert Wallis, 1794–1878, British

Taj Mahal, Agra

1831

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Ploughing, Eton

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

after Joseph Mallord William Turner, 1775–1851, British

Tours - Looking Backward

1833

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Farm-yard with the Cock

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Hedging and Ditching

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Print made by Joseph Mallord William Turner, 1775–1851, British

Crowhurst

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Young Anglers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Scene in the Campagna

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Ploughing, Eton

1818

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Peat Bog, Scotland

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Young Anglers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Hedging and Ditching

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Print made by William Strang, 1859–1921, British

The Pirate's Council

1893

Print made by David Lucas, 1802–1881, British

Stratford Mill, The Young Waltonians

1834 to 1840

Print made by Charles West Cope, 1811–1890, British

Morning Prayer

1844

Print made by John Sell Cotman, 1782–1842, British

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by John Sell Cotman, 1782–1842, British

Spanish Student

ca. 1830

Robert Dixon, 1780–1815, British

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Robert Dixon, 1780–1815, British

Cottage at Diss

1811

Robert Dixon, 1780–1815, British

West Tower, Wymondham Church

1810

Robert Dixon, 1780–1815, British

Sketch at Mulbarton

between 1810 and 1811

Robert Dixon, 1780–1815, British

Remains of the Priory, Beeston Regis

1810

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

1825

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

1825

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Print made by George Cruikshank, 1792–1878, British

Fitting out. - Plate 1

1820

Print made by John Crome, 1768–1821, British

Back of the New Mills, Norwich

1812

Print made by Thomas Creswick, 1811–1869, British

The Blacksmith's Shop

1838

Robert Dixon, 1780–1815, British

Beeston Priory, Beeston Regis

between 1810 and 1811

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

Promenade on the Ramparts of Nantes

undated

Charles Turner, 1774–1857, British

The Little Cottager

1809

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Peasants Going to Market

1802

Print made by unknown artist, nineteenth century

The Three Swords

1821

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Print made by John Hassell, 1767–1825, British

Autumn - Sowing Grain

1812

Print made by George Cooke, 1781–1834, British

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855, British

Winchelsea

1816 to 1820

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1820

Print made by James C. Allen, active 1821–1831, British

Ivy Bridge, Devonshire

1816

Print made by Robert Wallis, 1794–1878, British

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Walter Geikie, 1795–1837, British

Edinburgh Castle and Horse Fair

1830

Print made by William Bernard Cooke, 1778–1855, British

Martigny (vignette)

1830

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Period 19th century

Genre genre subject

Work Type intaglio print

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