London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
105
Paul Sandby, 1731–1809, British
London Cries: Shoe Cleaner
ca. 1759
106
Paul Sandby, 1731–1809, British
London Cries: A Milkmaid
ca. 1759
107
Paul Sandby, 1731–1809, British
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
108
Paul Sandby, 1731–1809, British
London Cries: Fun upon Fun
1759
109
Paul Sandby, 1731–1809, British
London Cries: A Man with a Bundle, Old Clothes
undated
110
Paul Sandby, 1731–1809, British
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
111
Paul Sandby, 1731–1809, British
London Cries: Small Coal or Brushes
ca. 1759
112
Charles Tomkins, 1757–1823, British
Painter-Stainers’ Hall
1799
113
Samuel Wale, 1721–1786, British
Guys Hospital
undated
114
Samuel Wale, 1721–1786, British
St. Bartholomews Hospital
undated
115
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
116
Charles Reuben Ryley, 1752–1798, British
A London Riot
undated
117
Thomas Rowlandson, 1756–1827, British
Skating on the Serpentine
before 1790
118
Thomas Rowlandson, 1756–1827, British
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
119
Print made by Johannes Kip, 1653–1722, Dutch
St James's House, Le Palais Royal de St James
1707
120
Edward Dayes, 1763–1804, British
St. Paul's Church, Covent Garden, after the fire
1795
121
Sir William Chambers, 1723–1796, British
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
122
unknown artist
Bush Hill, Edmonton, London: Plan of a Knot Garden
1713
123
Samuel Hieronymus Grimm, 1733–1794, Swiss
Greenwich Park
undated
124
Samuel Hieronymus Grimm, 1733–1794, Swiss
The French Lady in London
ca. 1771
125
unknown artist, eighteenth century
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
126
Print made by Charles J. Hullmandel, 1789–1850, British
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
127
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
128
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
129
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
130
Print made by John Thomas Smith, 1766–1833, British
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
131
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
132
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
133
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
134
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
135
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
136
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
137
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
138
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
139
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
140
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
141
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
142
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
143
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
144
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
145
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
146
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
147
John Maurer, active 1713–1761
A Perspective View of Covent Garden
148
unknown artist
The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
149
Thomas Bowles, ca. 1712–died 1753, British
The South West Prospect of London, from Somerset Gardens to the Tower
150
Thomas Bowles, ca. 1712–died 1753, British
An Inside View of the Church of St. Stephen Walbrooke London
151
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
152
William Beilby, 1740–1819, British
Syon House, London
undated
153
Thomas Bowles, ca. 1712–died 1753, British
The Choir of St. Paul's Cathedral
154
Nathaniel Parr, active 1742–1751, British
A Prospect of St. James's Park
155
John Maurer, active 1713–1761
A Perspective View of Whitehall
156
unknown artist
The Royal Palace of St. James's next the Park
157
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
158
unknown artist
The Inside of St. Paul's Cathedral from the West End to the Choir
159
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
160
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
161
unknown artist
View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
1799
162
John Warwick Smith, 1749–1831, British
A View of St. James's Park, taken near the Stable Yard
163
Michael "Angelo" Rooker, 1746–1801, British
The Admiralty Building from Whitehall
1782
164
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
165
John Boydell, 1720–1804, British
St. Clement Danes
1751
166
Thomas Bowles, ca. 1712–died 1753, British
The Inside of St. Martin's Church in the Fields
167
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
168
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
169
Thomas Bowles, ca. 1712–died 1753, British
A South View of Westminster Abby & St. Margarets Church
170
unknown artist, eighteenth century
A Perspective View of Vauxhall Gardens
undated
171
Richard Earlom, 1743–1822, British
The Exhibition of the Royal Academy of Painting 1771
1772
172
Julius Caesar Ibbetson, 1759–1817, British
Skating in Hyde Park
ca. 1785
173
Samuel Ireland, active 1760–died 1800, British
Westminster Hall
1800
174
Robert Dighton, 1752–1814, British
Cricket played by the Gentlemens Club, Whiteconduit House
1784
175
Robert Dighton, 1752–1814, British
Four Corners Played at the Swan, Chelsea
ca. 1784
176
unknown artist, eighteenth century
A view of the inside of Westminster Hall
ca. 1700
177
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
178
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
179
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
180
Print made by James Basire, 1730–1802, British
Plate X: St Stephen's Chapel
1795
181
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
182
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
183
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
184
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
185
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
186
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
187
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
188
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
189
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
190
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
191
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
192
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
193
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
194
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
195
Print made by Edward Rooker, 1724–1774, British
Henry the Seventh's Chapel
undated
196
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
197
William Capon, 1757–1827, British
Henry VII Chapel
ca. 1793
198
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
199
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
200
Print made by John Carter, 1748–1817, British
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard