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Period 18th century

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George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806, British
The Farmer's Wife and the Raven
1786
Not on view
William Hogarth The Beggar's Opera
William Hogarth, 1697–1764, British
The Beggar's Opera
1729
Not on view
William Artaud 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
William Artaud, 1763–1823, British
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798, British
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
Charles Reuben Ryley, 1752–1798, British
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
Johan Joseph Zoffany Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
1767
Not on view
Benjamin van der Gucht Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
Benjamin van der Gucht, 1753–1794, British
Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Virgil's Tomb by Moonlight, with Silius Italicus
1779
Not on view
John Singleton Copley Study for 'The Red Cross Knight'
John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Study for 'The Red Cross Knight'
ca. 1793
Not on view
Sawrey Gilpin Gulliver Taking His Final Leave of the Land of the Houyhnhnms
Sawrey Gilpin, 1733–1807, British
Gulliver Taking His Final Leave of the Land of the Houyhnhnms
1769
Not on view
Sawrey Gilpin Gulliver Addressing the Houyhnhnms
Sawrey Gilpin, 1733–1807, British
Gulliver Addressing the Houyhnhnms
1769
Not on view
Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
1755
Not on view
Francis Wheatley Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Francis Wheatley, 1747–1801, British
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
Benjamin West The Cave of Despair
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Cave of Despair
1772
Not on view
Benjamin West Cymon and Iphigenia
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Cymon and Iphigenia
ca. 1766
Not on view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801, British
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
John Downman The Ghost of Clytemnestra Awakening the Furies
John Downman, 1750–1824, British
The Ghost of Clytemnestra Awakening the Furies
1781
Not on view
Angelica Kauffmann Rinaldo and Armida
Angelica Kauffmann, 1741–1807, Swiss, active in Britain (1766–81)
Rinaldo and Armida
1771
Not on view
Marcellus Laroon the Younger Scene from Shakespeare's "Henry IV, Part I"
Marcellus Laroon the Younger, 1679–1772, British
Scene from Shakespeare's "Henry IV, Part I"
1746
Not on view
Adrien Carpentiers Louis-Francois Roubiliac Modelling His Monument to Shakespeare
Adrien Carpentiers, active 1739–1778, Flemish, active in Britain (from 1739)
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780, British
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
William Hodges Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
Landscape by William Hodges, 1744–1797, British
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
Philippe-Jacques de Loutherbourg Falstaff with the Body of Hotspur
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Falstaff with the Body of Hotspur
ca. 1786
Not on view
Thomas Stothard The Return of Othello, 'Othello,' Act II, Scene II
Thomas Stothard, 1755–1834, British
The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Not on view
unknown artist Prospero, Miranda and Ariel, from "The Tempest"
unknown artist, eighteenth century
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
unknown artist Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
unknown artist, eighteenth century
Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
between 1770 and 1780
Not on view
Thomas Stothard Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
Thomas Stothard, 1755–1834, British
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
Benjamin Wilson David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
Benjamin Wilson, 1721–1788, British
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840, German, active in Britain (1781–88)
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
Herbert Stoppelaer Shylock and Tubal from "The Merchant of Venice"
Herbert Stoppelaer, active 1730–1775, Irish
Shylock and Tubal from "The Merchant of Venice"
1767 to 1769
Not on view
Edward Alcock Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
Edward Alcock, active 1750–ca. 1778, British
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
Pieter van Bleeck Mrs. Cibber as Cordelia
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
ca. 1755
Not on view
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806, British
The Farmer's Wife and the Raven
1788
William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
William Hogarth, 1697–1764, British
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764, British
Hudibras Vanquished by Trulla
William Hogarth Mr. Garrick in the Character of Richard III
William Hogarth, 1697–1764, British
Mr. Garrick in the Character of Richard III
1746
George Romney Paradise Lost Sketchbook
George Romney, 1734–1802, British
Paradise Lost Sketchbook
ca. 1793
George Romney The Witches' Cavern
George Romney, 1734–1802, British
The Witches' Cavern
between 1792 and 1793
George Romney Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
George Romney, 1734–1802, British
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
George Romney John Henderson as Falstaff
George Romney, 1734–1802, British
John Henderson as Falstaff
1780
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney The Banquet Scene
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Prospero and Miranda
George Romney, 1734–1802, British
Prospero and Miranda
ca. 1787
George Romney Daphnis and Chloe
George Romney, 1734–1802, British
Daphnis and Chloe
undated
George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802, British
Standing Figure, Probably for Lady Macbeth
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802, British
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802, British
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
William Blake The Death of Juliet
Print made by William Blake, 1757–1827, British
The Death of Juliet
1799
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827, British
Romeo and Juliet, Act IV, Scene V
1799
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827, British
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Pity
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827, British
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798