The Society for the Encouragement of the Arts (2 copies)
after 1783
4
James Barry, 1741–1806, Irish
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
5
unknown artist, eighteenth century
Prospectus Westmonasteriensis Londini
undated
6
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
7
unknown artist, eighteenth century
The West Prospect of the Cathedral Church of St. Pauls London
undated
8
Print made by James Basire the younger, 1769–1822, British
South View of Christ Church, etc. from the Meadows
1799
9
Print made by James Caldwall, 1739–1819, British
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
10
Print made by Johannes Kip, 1653–1722, Dutch
St James's House, Le Palais Royal de St James
1707
11
Johannes Kip, 1653–1722, Dutch
Fair Lawn in ye County of Kent
1707
12
Francis Jukes, 1747–1812, British
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
13
James Gillray, 1756–1815, British
Junction of Parties
1783
14
James Gillray, 1756–1815, British
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
15
James Gillray, 1756–1815, British
Duke William's Ghost
1799
16
James Gillray, 1756–1815, British
Miss, I have a Monstrous Crow to pluck with you!!
1794
17
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
18
John Wood, 1728–1781, British
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
19
James Gillray, 1756–1815, British
The Injured Countess
1786-1788
20
James Gillray, 1756–1815, British
Sawney in the Bog-House
1779
21
James Gillray, 1756–1815, British
The Fall of Phaeton
1788
22
James Gillray, 1756–1815, British
The Royal Joke or Black Jacks Delight
1788
23
James Gillray, 1756–1815, British
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
24
James Gillray, 1756–1815, British
The Bolgna Sausages or Opposition Flux'd
1788
25
James Gillray, 1756–1815, British
Patience on a Monument
1791
26
James Gillray, 1756–1815, British
Swearing to the Cutting Monster or A Scene in Bow Street
1790
27
James Gillray, 1756–1815, British
The Monster going to take his Afternoons Luncheon
1790
28
James Gillray, 1756–1815, British
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
29
James Gillray, 1756–1815, British
Lubber's Hole - alias - The Crack'd Jordan
1791
30
James Gillray, 1756–1815, British
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
31
James Gillray, 1756–1815, British
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
32
James Gillray, 1756–1815, British
The Physick; - or - The News of Shooting the King of Sweden
1792
33
James Gillray, 1756–1815, British
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
34
James Gillray, 1756–1815, British
Going to London, through "Epping Forest"
1802
35
James Gillray, 1756–1815, British
Wha Wants Me?
1792
36
James Gillray, 1756–1815, British
National Conveniences
1796
37
James Gillray, 1756–1815, British
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
38
James Gillray, 1756–1815, British
Fashionable Jockeyship
1796
39
James Gillray, 1756–1815, British
Ladies Dress, as it soon will be
1796
40
James Gillray, 1756–1815, British
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
41
James Gillray, 1756–1815, British
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
42
James Gillray, 1756–1815, British
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
43
James Gillray, 1756–1815, British
The French Invasion; or John Bull, bombarding the Bum Boats
1793
44
James Gillray, 1756–1815, British
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
45
James Gillray, 1756–1815, British
The Grand - Signior retiring
1796
46
James Gillray, 1756–1815, British
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
47
James Gillray, 1756–1815, British
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
48
James Gillray, 1756–1815, British
The Castle in the Moon
1782
49
James Gillray, 1756–1815, British
Wouski
1788
50
James Gillray, 1756–1815, British
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
51
James Gillray, 1756–1815, British
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
52
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
53
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Design for a House in a "Theatrical Style" for Paul Methuen
undated
54
Print made by William Wynne Ryland, 1732–1783, British
A Hawking Party
1765
55
J. Wells, active 1780–1791
A View of Margate with the Bathing Place
1786
56
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
1788
57
John Alexander, 1686–before 1768, British
Jacob and the Heavenly Ladder
1718
58
Print made by John Finlayson, 1730–1776, British
The Tinker
1770
59
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
1794
60
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
1794
61
Jan J. van den Bergh, active 1793–1800
Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI
1794
62
John Chapman, active ca. 1792–1823, British
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792
63
unknown artist, ( J. Coles )
Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II
1795
64
Benjamin Duterreau, 1767–1851
Florizel and Autolicus - "Winter's Tale"
1794
65
Jan J. van den Bergh, active 1793–1800
Falstaff with Hotspur on his Back - "Henry IV," Part I, Act V, Scene IV
1794
66
John Chapman, active ca. 1792–1823, British
Jacques discovered by the Duke- "As You Like It," Act II, Scene I
1795
67
Print made by Thomas Cheesman, 1760–1834/35, British
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
68
unknown artist, ( J. Coles )
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
69
William S. Leney, 1769–1831, British
Taming the Shrew, Act III, Scene II
1793
70
Robert Mitchell Meadows, Died before 1812, British
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
71
Print made by Thomas Macklin, active 1779–1793, British
Fallstaff Playing the Prince, The Prince Playing the King
1796
72
Peltro W. Tomkins, 1760–1840, British
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
73
Print made by John Browne, 1741–1801, British
The Sportsman
1775
74
Print made by John Raphael Smith, 1752–1812, British
George, Prince of Wales
1783
75
Print made by William Dickinson, 1746–1823, British
Duchess of York
1795
76
George Townly Stubbs, 1748–1815, British
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
77
Print made by Edward Fisher, 1722–1785, British
John Viscount Ligonier
after 1761
78
Print made by William Ward, 1766–1826, British
The Daughters of Sir Thomas Frankland
1797
79
Print made by unknown artist, (Bernard)
Helene Apollonie Princesse de Ligne
1795
80
John Harris, active 1686–1740
The Revolt of the Fleet, 1642
ca. 1710
81
Print made by John Boydell, 1720–1804, British
The Boscawen and Sheerness Privateers
1753
82
James Barry, 1741–1806, Irish
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
83
Print made by James Bretherton, ca. 1730–1806, British
Englishman at Paris, 1767
1799
84
James Barry, 1741–1806, Irish
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
85
James Barry, 1741–1806, Irish
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
86
John Maurer, active 1713–1761
Royal Exchange, London
1741
87
Richard Earlom, 1743–1822, British
The West Window of the Chapel, New College Oxford
1785
88
William Ward, 1766–1826, British
Daughters of Sir Thomas Frankland
1797
89
William Ward, 1766–1826, British
Daughters of Sir Thomas Frankland
1797
90
Joseph Haynes, 1760–1829, British
Death on a Pale Horse
1784
91
Print made by Thomas Malton the Younger, 1748–1804, British
The Bank
1781
92
William Ward, 1766–1826, British
Industry and Economy
1794
93
Print made by Caroline Watson, 1760–1814, British
The Tempest, Act V, Scene I
1795
94
James Gillray, 1756–1815, British
Evacuation Before Resignation
1782
95
unknown artist, (J.C.)
Le Gourmand, Heavy Birds fly Slow, Delay Breeds Danger, A Scene at Varennes, June 21, 1791