Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Earl of Mansfield
1786
102
Peltro W. Tomkins, 1760–1840, British
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
103
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
104
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
105
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
1. Going Out / Depart de Chasse
1770
106
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
6. The Death of the Fox / Mort du Renard
1770
107
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
4. The Earthing of the Fox / Renard dans son Terrier
1770
108
Print made by Gainsborough Dupont, 1754–1797, British
Rev. Sir Henry Bate Dudley
undated
109
Print made by John Raphael Smith, 1752–1812, British
Sir Harbord Harbord
1783
110
Print made by John Dixon, ca. 1740–1811, Irish
Mrs. Blake as Juno
1771
111
Print made by Thomas Watson, 1743–1781, British
Catherine, Lady Bampfylde
1779
112
Print made by Edward Fisher, 1722–1785, British
Lady Elizabeth Keppel and a Servant
1760s
113
Print made by Thomas Burford, ca. 1710–after 1774, British
Making a Cast at a Fault
1794
114
Richard Earlom, 1743–1822, British
The Presentation in the Temple
1771
115
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
116
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
117
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
118
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
2. Two Hunters / Deux Chevaux de Chasse
1770
119
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
5. Coming at the Death / Halte de Chasse
1770
120
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
7. Returning from the Chase / Retour de Chasse
1770
121
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
122
Print made by John Jones, ca. 1745–1797, British
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
1790
123
Print made by John Raphael Smith, 1752–1812, British
Colonel Tarleton
1782
124
Print made by James Watson, 1740–1790, British
Duchess of Buccleuch with Her Daughter, Lady Mary Scott
1775
125
Print made by John Dixon, ca. 1740–1811, Irish
Miss Emma and Miss Elizabeth Crewe
ca. 1782
126
Print made by John Young, 1755–1825, British
A Sleeping Bacchante
1789
127
Print made by James Watson, 1740–1790, British
Miss Elliot
undated
128
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
129
Print made by Thomas Burford, ca. 1710–after 1774, British
The Death of the Fox
1794
130
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
131
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
132
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
133
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
134
Luigi Balugani, 1737–1770, Italian
Bahah (Rhus retinorrhoea) and Cura-Magiett (Cucumis metuliferus)
undated
135
Robert Dodd, 1748–1816, British
The Royal Dockyard at Portsmouth
ca. 1790
136
James Watson, 1740–1790, British
Lady Ann Hussey (née Delaval) Stanhope
1767
137
John Dean, 1754–1798, British
Master Wynn in the Character of St. John
undated
138
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Morning
1745
139
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night and a Ship on Fire
1745
140
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Noon
1745
141
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
142
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Sun Under a Cloud
1745
143
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Strong Gale or Squall
1745
144
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Shipwreck
1745
145
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Ship in Distress
1745
146
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Evening
1745
147
George Isham Parkyns, 1749/50–c.1820, British
Lee
1790
148
Print made by unknown artist, eighteenth century
A View of the Orangerie at Chiswick, Lord Burlington's Garden
ca. 1730
149
William Ward, 1766–1826, British
The Effects of Youthful Extravagance and Idleness
1789
150
unknown artist
The South View of Barnes
undated
151
John Raphael Smith, 1752–1812, British
Joseph Deane Bourke, 3rd Earl of Mayo
1784
152
Charles Gauthier Playter, died 1809
Henry the Eighth
1792
153
Charles Grignion, 1717–1810, British
A View of the Bridge at Walton-on-Thames in Surrey
1752
154
unknown artist
The North View of Battersea
undated
155
John Raphael Smith, 1752–1812, British
Eloisa
1792
156
Print made by William Ward, 1766–1826, British
The Disaster
1789
157
James Watson, 1740–1790, British
Mrs.Catherine Bunbury (née Horneck)
1778
158
Benjamin Cole, 1697–1783, British
Two Plans for the Conversion of Old London Bridge by C. Labelye, The Second a Plan by Sir Christopher Wren
1746
159
James Gillray, 1756–1815, British
The Lover's Dream
1795
160
James Gillray, 1756–1815, British
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
161
Print made by James Gillray, 1756–1815, British
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
162
John Boydell, 1720–1804, British
North East View of Wrexham, Church in the County of Denbigh
1748
163
Louisa Augusta Greville, 1743–active 1762, British
Five People Praying
1760
164
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
165
Published by William Holland, 1757–1815, British
A Perry-Lous Situation; or, the Doctor and his Friends keeping the Numbrusher and her Myrmidous at Bay
1791
166
George Moutard Woodward, ca. 1760–1809, British
The Effects of British Valour on the French Directory
1798
167
Thomas Jones, 1742–1803, British, active in Italy (1776–83)
The Grotto at Posillipo
ca. 1782
168
Richard Newton, 1777–1798, British
Meditations on a Jordan
1791
169
unknown artist
A Batch of Peers
1792
170
Charles Ansell, ca.1752–active 1790, British
Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc
1797
171
unknown artist, ( William Hanlon )
The State Caterpillar
1795
172
Attributed to Isaac Cruikshank, 1764–1811, British
Saint Catharine and St. George
1791
173
Print made by William Dent, active 1784–1793
Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty
1792
174
Print made by Isaac Cruikshank, 1764–1811, British
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
1793
175
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Negroes Dance in the Island of Dominica
1779
176
Print made by Matthew Darly, active 1754–1778, British
Statue Hall or the Modern Register Office
1769
177
John Jones, ca. 1745–1797, British
The Sleeping Girl
1790
178
William Doughty, 1757–1782, British
The Sleeping Child
1780
179
Capt. Francis Grose, 1731–1791, British
St. Catherine's Castle at Fowey, Cornwall
undated
180
Isaac Cruikshank, 1764–1811, British
A Meeting of Creditors
1795
181
Print made by Joseph Wood, 1720–1763 or 1764, British
The Hermit
1744
182
Print made by Elisha Kirkall, ca. 1682–1742, British
Marine View
between 1720 and 1730
183
Richard Earlom, 1743–1822, British
A Flower Piece
1778
184
Isaac Cruikshank, 1764–1811, British
Getting the Length of the Duchess's Foot
1791
185
William Nutter, 1754–1802, British
The Benevolent Cottager
1788
186
Isaac Cruikshank, 1764–1811, British
Interrogatories, or an Examination before the Commissioners
1795
187
Samuel William Reynolds, 1773–1835, British
Garrick, In the Character of Abel Drugger
1825
188
Isaac Cruikshank, 1764–1811, British
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats