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William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764, British
Hogarth Painting the Comic Muse
1764
William Hogarth After
Print made by William Hogarth, 1697–1764, British
After
1736
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806, Irish
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806, Irish
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
Francis David Soiron Drummer
Francis David Soiron, Born 1764
Drummer
ca. 1791
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817, Swiss
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
John Raphael Smith Love in Her Eyes Sits Playing
Print made by John Raphael Smith, 1752–1812, British
Love in Her Eyes Sits Playing
1778
John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832, British
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832, British
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
Richard Earlom James McArdell
Print made by Richard Earlom, 1743–1822, British
James McArdell
1771
J. Barlow Dr. Johnson's Politeness to Madame Boufflers
J. Barlow, active 1791
Dr. Johnson's Politeness to Madame Boufflers
William Pether 'Gimcrack'
William Pether, ca. 1738–1821, British
'Gimcrack'
1766
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813, Flemish
Do You Want Any Matches?
1794
Luigi Schiavonetti Milk below Maids
Print made by Luigi Schiavonetti, 1765–1810, Italian
Milk below Maids
1793
James Basire the younger Plate XI: St Stephen's Chapel
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
George Morland [Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
George Morland, 1763–1804, British
[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
1794
George Townly Stubbs 'Anvil'
George Townly Stubbs, 1748–1815, British
'Anvil'
1794
Luigi Schiavonetti Sweet China Oranges, Sweet China
Print made by Luigi Schiavonetti, 1765–1810, Italian
Sweet China Oranges, Sweet China
1794
Luigi Schiavonetti Two Bunches a Penny Primroses, Two Bunches a Penny
Print made by Luigi Schiavonetti, 1765–1810, Italian
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
Giovanni Vendramini Fresh Gathered Peas, Young Hastings
Print made by Giovanni Vendramini, 1769–1839, Italian
Fresh Gathered Peas, Young Hastings
1795
Giovanni Vendramini Knives, Scissors, and Razors to Grind
Print made by Giovanni Vendramini, 1769–1839, Italian
Knives, Scissors, and Razors to Grind
1795
Niccoló Schiavonetti New Mackrel, New Mackrel
Print made by Niccoló Schiavonetti, 1771–1813, Italian
New Mackrel, New Mackrel
1795
Giovanni Vendramini Strawberrys, Scarlet Strawberrys
Print made by Giovanni Vendramini, 1769–1839, Italian
Strawberrys, Scarlet Strawberrys
1795
Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries
Print made by Anthony Cardon, 1772–1813, Flemish
Round & Sound, Five Pence a Pound, Duke Cherries
1795
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812, French
Turnips & Carrots ho
1797
Giovanni Vendramini Hot Spice Gingerbread, Smoking Hot!
Print made by Giovanni Vendramini, 1769–1839, Italian
Hot Spice Gingerbread, Smoking Hot!
1796
Anthony Cardon A New Love Song, Only ha'Penny a Piece
Print made by Anthony Cardon, 1772–1813, Flemish
A New Love Song, Only ha'Penny a Piece
1796
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
Arthur Pond Untitled: Dance beneath a tree
Arthur Pond, ca. 1705–1758, British
Untitled: Dance beneath a tree
1740
John Raphael Smith Agostino Carlini, Fransescho Bartolozzi, Giovan Battista Cipriani
Print made by John Raphael Smith, 1752–1812, British
Agostino Carlini, Fransescho Bartolozzi, Giovan Battista Cipriani
1778
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802, British
Plate XII: St Stephen's Chapel
1795
George Vertue William Cavendish of Newcastle
Print made by George Vertue, 1684–1756, British
William Cavendish of Newcastle
1739
Benjamin Smith Sigismonda
Print made by Benjamin Smith, 1775–1833, British
Sigismonda
1795
Jacobus Houbraken Thomas Wentworth, 1st Earl of Stratford
Print made by Jacobus Houbraken, 1698–1780, Dutch
Thomas Wentworth, 1st Earl of Stratford
1740
Valentine Green St. Augustine's Gate, Canterbury
Valentine Green, 1739–1813, British
St. Augustine's Gate, Canterbury
1779
Henry Roberts A South West Prospect of the City of Bath
Henry Roberts, ca. 1710–1790, British
A South West Prospect of the City of Bath
1757
Samuel Alken An Italian Family
Samuel Alken, 1756–1815, British
An Italian Family
1785
Jean B. C. Chatelain A Prospect of the Royal House at Richmond
Print made by Jean B. C. Chatelain, 1710–1771, French
A Prospect of the Royal House at Richmond
ca. 1740
John Blackmore Samuel Foote Esq.
Print made by John Blackmore, active 1740–1780
Samuel Foote Esq
1771
John Wood The View from One Tree Hill in Greenwich Park
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812, French
Turnips & Carrots ho
1797
John Smith The Triumph of Galatea
Print made by John Smith, 1652–1743, British
The Triumph of Galatea
1701
Johann Philip Koch L'Automne - Der Herbst
Print made by Johann Philip Koch, ca. 1716–1796, German
L'Automne - Der Herbst
undated
Johann Lorenz Haid Le jeune devot
Print made by Johann Lorenz Haid, 1702–1750, German
Le jeune devot
undated
Johann Jacobus Haid La music touchante
Print made by Johann Jacobus Haid, 1704–1767
La music touchante
undated
Johann Jacobus Haid Rhetorica. Die Redekunst.
Print made by Johann Jacobus Haid, 1704–1767
Rhetorica. Die Redekunst
undated
Robert Laurie Mrs Banks
Robert Laurie, 1755?–1836, British
Mrs Banks
1772
Pieter van Bleeck Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
Johann Lorenz Haid Le paysan paresseux
Print made by Johann Lorenz Haid, 1702–1750, German
Le paysan paresseux
early 1750s
Samuel Okey Money and Little Wit
Print made by Samuel Okey, active 1765–1780, British
Money and Little Wit
undated
Johann Lorenz Haid L'Enseigne mor
Print made by Johann Lorenz Haid, 1702–1750, German
L'Enseigne mor
undated
Charles Phillips Miss Nelly O'Brien
Print made by Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
James Watson James Paine and his Son
Print made by James Watson, 1740–1790, British
James Paine and his Son
1767
James Watson Sir Joshua Reynolds, P.R.A., F.R.S., LL.D.
Print made by James Watson, 1740–1790, British
Sir Joshua Reynolds, P.R.A., F.R.S., LL.D
c.1770
William Dickinson Elizabeth Godden (née Houghton), Lady Taylor
Print made by William Dickinson, 1746–1823, British
Elizabeth Godden (née Houghton), Lady Taylor
ca. 1775
John Raphael Smith The Calling of Samuel
Print made by John Raphael Smith, 1752–1812, British
The Calling of Samuel
1783
Richard Earlom A Shepherd Boy
Print made by Richard Earlom, 1743–1822, British
A Shepherd Boy
1781
Valentine Green Miss Polly Jones
Print made by Valentine Green, 1739–1813, British
Miss Polly Jones
1771
Valentine Green Mrs. Le Maistre
Print made by Valentine Green, 1739–1813, British
Mrs. Le Maistre
1771
James McArdell The Tribute Money
Print made by James McArdell, ca. 1729–1765, Irish
The Tribute Money
undated