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Period 18th century

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Height [cm] 39

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George Stubbs Horse Attacked by a Lion (Episode C)
George Stubbs, 1724–1806, British
Horse Attacked by a Lion (Episode C)
between 1768 and 1769
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810, British
Castel Sant'Angelo, Rome
1776
Not on view
John Inigo Richards The Colosseum
John Inigo Richards, 1730/31?–1810, British
The Colosseum
1776
Not on view
George Morland The Squire's Door
George Morland, 1763–1804, British
The Squire's Door
ca. 1790
Not on view
Canaletto The City from Near the Terrace of Somerset House
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
The City from Near the Terrace of Somerset House
ca. 1750
Not on view
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764, British
The First Stage of Cruelty
ca. 1750
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764, British
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764, British
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764, British
Study for the Foundlings
ca. 1739
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764, British
Marriage à la Mode, Plate 6
1745
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764, British
Simon Lord Lovat
1746
William Hogarth John Wilkes, Esq.
William Hogarth, 1697–1764, British
John Wilkes, Esq
1763
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764, British
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
George Romney John Henderson as Falstaff
George Romney, 1734–1802, British
John Henderson as Falstaff
1780
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802, British
Sketches of a Prostrate Woman
undated
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827, British
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
John Boydell Noon
Print made by John Boydell, 1720–1804, British
Noon
1753
John Boydell A Calm
Print made by John Boydell, 1720–1804, British
A Calm
1754
James McArdell Charles Saunders Esq.
James McArdell, ca. 1729–1765, Irish
Charles Saunders Esq
1748
James Bruce Elevation of Amphitheatre of El Djem entitled "Isrus"
James Bruce, 1730–1794, British
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
James Bruce Plan of one quarter of the amphitheatre at El Djem showing seating tiers
James Bruce, 1730–1794, British
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
James Bruce Plan of three quarters of the amphitheatre at El Djem with descriptive notes
James Bruce, 1730–1794, British
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
James Bruce Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
James Bruce, 1730–1794, British
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
James Bruce Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
James Bruce, 1730–1794, British
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
James Bruce XIVI Theatre at Ain Tunga Thignica
James Bruce, 1730–1794, British
XIVI Theatre at Ain Tunga Thignica
undated
James Bruce Temple at Thignica Modern, Ain Tunga now totally Destroyed
James Bruce, 1730–1794, British
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
James Bruce Rocks
James Bruce, 1730–1794, British
Rocks
ca. 1769
James Bruce XXIV Lybian Mausoleum at Dougga
James Bruce, 1730–1794, British
XXIV Lybian Mausoleum at Dougga
undated
Charles Gore Herstmonceux
Charles Gore, 1729–1807, British
Herstmonceux
1787
Canaletto The City of Westminster from Near the York Water Gate
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
The City of Westminster from Near the York Water Gate
between 1746 and 1747
Nicholas Pocock The Sailor's Departure
Nicholas Pocock, 1740–1821, British
The Sailor's Departure
ca. 1795
James Wyatt Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
ca. 1790
James Wyatt Cobham Hall, Kent: Drawing for Wall Decoration
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Drawing for Wall Decoration
ca. 1790
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801, British
Traveling Potter Outside a Cottage
1798
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809, British
View in Wales
undated
George Morland Two Men on a Country Road
George Morland, 1763–1804, British
Two Men on a Country Road
1793
George Morland Landscape with Horses, Farmer and Dog
George Morland, 1763–1804, British
Landscape with Horses, Farmer and Dog
1794
unknown artist St. George's, Bloomsbury
unknown artist
St. George's, Bloomsbury
1799
Francesco Bartolozzi Tom Jones Assisting Molly Seagrim
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Tom Jones Assisting Molly Seagrim
1782
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770, Italian
The Basilica at Pergamon
ca. 1750
Luigi Balugani Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
Luigi Balugani, 1737–1770, Italian
Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
undated
James Bruce Corinthian Temple at Assuras
James Bruce, 1730–1794, British
Corinthian Temple at Assuras
undated
James Bruce Temple of Jupiter and Minerva, Thugga
James Bruce, 1730–1794, British
Temple of Jupiter and Minerva, Thugga
undated
James Bruce XXII Side View of Temple at Dougga
James Bruce, 1730–1794, British
XXII Side View of Temple at Dougga
undated
James Bruce Tomb de la Chretienne/ Juba and Cleopatra
James Bruce, 1730–1794, British
Tomb de la Chretienne/ Juba and Cleopatra
ca. 1769
James Bruce Cisterns at Carthage
James Bruce, 1730–1794, British
Cisterns at Carthage
undated
Benjamin West Design for a Wall of the Chapel of Revealed Religion
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Design for a Wall of the Chapel of Revealed Religion
ca. 1780
Richard Wilson The Arbra Sacra on the Banks of Lake Nemi
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
The Arbra Sacra on the Banks of Lake Nemi
between 1754 and 1756
Paul Sandby Arthur Gore, first Earl of Arran
attributed to Paul Sandby, 1731–1809, British
Arthur Gore, first Earl of Arran
undated
Robert Adam Headfort House, Ireland: Elevation of One End of the Parlor
Robert Adam, 1728–1792, British
Headfort House, Ireland: Elevation of One End of the Parlor
between 1771 and 1775
Johan Joseph Zoffany A Dying Hindu Brought to the River Ganges
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
A Dying Hindu Brought to the River Ganges
1788
Paul Sandby The Queen Elizabeth Gate
Paul Sandby, 1731–1809, British
The Queen Elizabeth Gate
1767
Sir James Thornhill Design for Ceiling Walls and Staircase
Sir James Thornhill, 1675–1734, British
Design for Ceiling Walls and Staircase
between 1712 and 1713
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804, British
Landscape with Cottage and Figures on Horseback
1793
unknown artist Classical Scene: Minerva as the Goddess of Arts and Sciences
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
James Bruce Sketch of Temple Ruins
James Bruce, 1730–1794, British
Sketch of Temple Ruins
ca. 1768
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852, British
Freshwater Bay
1799
James Basire the younger South View of Christ Church, etc. from the Meadows
Print made by James Basire the younger, 1769–1822, British
South View of Christ Church, etc. from the Meadows
1799
James Bruce Plan of upright of the semi circular Exedra of Temple at Baalbec
James Bruce, 1730–1794, British
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
James Bruce Order of the two courts of the Temple at Baalbec
James Bruce, 1730–1794, British
Order of the two courts of the Temple at Baalbec
undated
Thomas Girtin Jedburgh Abbey from the South East
Thomas Girtin, 1775–1802, British
Jedburgh Abbey from the South East
1800
Bernard Lens III Victorious Hero Takes Occasion to Conclude Peace
Bernard Lens III, 1682–1740, British
Victorious Hero Takes Occasion to Conclude Peace
1720
Benjamin Green Oxford Physic Garden
Print made by Benjamin Green, ca. 1736–ca. 1800, British
Oxford Physic Garden
1766
John Raphael Smith Painting
Print made by John Raphael Smith, 1752–1812, British
Painting
1783
James Barry Study of Hercules for 'Crowning the Victors at Olympia'
James Barry, 1741–1806, Irish
Study of Hercules for 'Crowning the Victors at Olympia'
between 1777 and 1780
unknown artist View of Sir William Hamilton's Villa at Posilipo
unknown artist
View of Sir William Hamilton's Villa at Posilipo
undated
Samuel William Reynolds Animals [a pair]: 2. Tigress
Samuel William Reynolds, 1773–1835, British
Animals [a pair]: 2. Tigress
1799
Gainsborough Dupont Landscape: Three cows in center foreground
Gainsborough Dupont, 1754–1797, British
Landscape: Three cows in center foreground
undated