Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
3
Print made by William Hogarth, 1697–1764, British
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
4
Print made by William Hogarth, 1697–1764, British
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
5
Print made by William Hogarth, 1697–1764, British
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
6
Print made by William Hogarth, 1697–1764, British
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
7
Print made by William Hogarth, 1697–1764, British
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
8
Print made by William Hogarth, 1697–1764, British
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
9
Print made by William Hogarth, 1697–1764, British
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
10
Print made by William Hogarth, 1697–1764, British
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
11
Print made by William Hogarth, 1697–1764, British
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
12
Print made by William Hogarth, 1697–1764, British
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
13
Print made by William Blake, 1757–1827, British
Introduction to the Fables, The Shepherd and the Philosopher
1793
14
Print made by William Blake, 1757–1827, British
Fable VI. The Miser and Plutus
1793
15
Print made by William Blake, 1757–1827, British
Fable XXII. The Goat Without a Beard
1793
16
Print made by William Blake, 1757–1827, British
Fable XXIV. The Butterfly and the Snail
1793
17
Print made by William Blake, 1757–1827, British
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
18
Print made by William Blake, 1757–1827, British
Fable XXX. The Setting-dog and the Partridge
1793
19
Print made by William Blake, 1757–1827, British
Fable XLI. The Owl and the Farmer
1793
20
Print made by William Blake, 1757–1827, British
Fable I. The Dog and the Fox
1793
21
Print made by William Blake, 1757–1827, British
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
22
Print made by William Blake, 1757–1827, British
Fable XVI. The Pin and the Needle
1793
23
Print made by William Blake, 1757–1827, British
Fable XIII. The Tame Stag
1793
24
Print made by William Blake, 1757–1827, British
Fable XII. Pan and Fortune
1793
25
Print made by John Boydell, 1720–1804, British
Greenland Fishery
1754
26
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
27
Print made by John Boydell, 1720–1804, British
Morning
1753
28
Print made by John Boydell, 1720–1804, British
Evening
1755
29
Print made by John Boydell, 1720–1804, British
Noon
1753
30
Print made by John Boydell, 1720–1804, British
Night
1756
31
Print made by Charles Bretherton, ca. 1760–1783, British
Lady Pointing with a Stick
1782
32
Francis Jukes, 1747–1812, British
Cottage Scene Near Colchester, Essex
1797
33
Francis Jukes, 1747–1812, British
Cottage Scene Near Colchester, Essex
1797
34
Print made by Charles Bretherton, ca. 1760–1783, British
Postiglione Inglese
1772
35
Thomas Major, 1714–1799, British
The Royal Palace of Windsor
1745
36
Samuel Buck, 1696–1779, British
The Southwest view of Hertsmonceux Castle in the County of Sussex
1737
37
unknown artist
A South View of the Church of St. Pancras in the Country of Middlesex
1781
38
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
39
William Henry Toms, ca. 1700–ca. 1750, British
The South Prospect of the Church of Sepulchre
1737
40
unknown artist
St. Martins in the Fields
1795
41
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
42
Print made by Joseph Powell, 1780–1834, British
Winchester Cross
1800
43
Print made by Joseph Powell, 1780–1834, British
Winchester Cross
1800
44
John Goldar, 1729–1795, British
The Sacrifice
1767
45
Print made by Elizabeth Blackwell, died 1774, British
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
46
Print made by Elizabeth Blackwell, died 1774, British
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737
47
R. Stanier, 18th century
Lucy, Mrs. Wheatley
1788
48
Thomas Rowlandson, 1756–1827, British
Heads: Fancynina
1800
49
Thomas Rowlandson, 1756–1827, British
Heads: Barberorum
1800
50
Thomas Rowlandson, 1756–1827, British
Heads: Allegora
1800
51
Thomas Rowlandson, 1756–1827, British
Heads: Publicorum
1800
52
Thomas Rowlandson, 1756–1827, British
Heads: Virginia
1800
53
Thomas Rowlandson, 1756–1827, British
Heads: Flora
1800
54
Thomas Rowlandson, 1756–1827, British
Heads: Physicorum
1800
55
Thomas Rowlandson, 1756–1827, British
Heads: Epicurum
1800
56
Thomas Rowlandson, 1756–1827, British
Heads: Hazardorum
1800
57
Thomas Rowlandson, 1756–1827, British
Heads: Billingsgatina
1800
58
Thomas Rowlandson, 1756–1827, British
Heads: Penserosa
1800
59
Thomas Rowlandson, 1756–1827, British
Heads: Battleorum
1800
60
Thomas Rowlandson, 1756–1827, British
Heads: Nunina
1800
61
John Skippe, 1741–1812, British
Title page, Le Blanc
1781
62
Matthew Darly, active 1754–1778, British
Plan of the Mansion House, London
63
Thomas Cook, 1744–1818, British
Samuel Johnson
1786
64
Thomas Cook, 1744–1818, British
Samuel Johnson
1786
65
Thomas Cook, 1744–1818, British
Samuel Johnson
1786
66
John Stevens, active 1745–1746
A View of London and Westminster from One-Tree Hill in Greenwich Park
1752
67
unknown artist
The Prospect of the Town of Dumblane
68
unknown artist
Donotter Castle
69
John Warwick Smith, 1749–1831, British
A View of St. James's Park, taken near the Stable Yard
70
unknown artist
A View of the Orangerie in Lord Burlington's Garden at Chiswick
71
George Bickham the Younger, ca. 1706–1771, British
A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire
72
unknown artist
A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down
73
Print made by Charles Williams, active 1796–1830, British
Anticipation - Ways & Means - or - Buonaparte Really Taken!!
1792
74
unknown artist
The Prospect of the Town of Dunkeld
75
unknown artist
A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick
76
unknown artist
A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows
77
unknown artist
A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
78
Matthew Darly, active 1754–1778, British
Elevation of the Mansion House, London
79
Alexander Bannerman, ca. 1730–1780
Anthony Vandyck
undated
80
Print made by Thomas Chambars, ca. 1724–1789, British
Sir Godfrey Kneller and John Zackary Kneller
undated
81
Print made by Thomas Chambars, ca. 1724–1789, British
William Hogarth
undated
82
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Hugh Howard, Esq
1737
83
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
84
Thomas Cook, 1744–1818, British
Shakespeare
1776
85
Print made by Louisa Augusta Greville, 1743–active 1762, British
Landscape with a Couple wading across a River
1770
86
Alexander Bannerman, ca. 1730–1780
John Riley and Egbert Hemskirt
undated
87
Isaac Cruikshank, 1764–1811, British
A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval)
ca. 1790
88
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Abington as Thalia
1783
89
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
90
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
91
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
92
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
93
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire