Period: 18th century / Height [cm]: 27 / Subject Terms: landscape

Alexander Cozens, 1717–1786, British

A Valley

between 1775 and 1780

Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)

A River by a Rocky Bank with Figures, Possibly in India

between 1783 and 1789

Francis Wheatley, 1747–1801, British

Country Scene: Figures by a Cottage Door and Cattle in a Stream

1795

Paul Sandby, 1731–1809, British

Halfway House, Sadler's Wells

1780

Charles Gore, 1729–1807, British

Lisbon from the Convent of St. Francis da Citadel

1774

Thomas Hearne, 1744–1817, British

View from Skiddaw over Derwentwater

between 1772 and 1782

Paul Sandby, 1731–1809, British

Iron Forge on the River Kent, Westmorland

undated

William Marlow, 1740–1813, British

Tivoli

ca. 1768

William Marlow, 1740–1813, British

Oxcart in the Grotto at Posillipo

ca. 1770

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

John Griffiths, active 1764–1774

The Open-Air Preacher

undated

Thomas Jones, 1742–1803, British, active in Italy (1776–83)

The Claudian Aqueduct and Colosseum

1778

Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)

Ponte delle Torri, Seen Through an Arch

undated

Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)

The Falls at Tivoli

between 1752 and 1757

Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)

A Dying Hindu Brought to the River Ganges

1788

William Pars, 1742–1782, British

The Falls at Powerscourt, Co. Wicklow, Ireland

undated

Thomas Rowlandson, 1756–1827, British

Tintagel Castle

between 1785 and 1790

Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

ca. 1770

Joseph Farington, 1747–1821, British

Cookham on the Thames, Berkshire

1792

Thomas Gainsborough, 1727–1788, British

Open Landscape with Horsemen and Covered Cart

between 1780 and 1788

Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Country Cart and Figures Walking down a Lane

ca. 1760

John White Abbott, 1763–1851, British

The Mouth of the Cavern at Castleton in the Peak of Derby

1791

John Robert Cozens, 1752–1797, British

Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress

1783

imitator of Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Figures, Cottage and Cow

between 1785 and 1788

Thomas Daniell, 1749–1840, British, active in India

At the Foot of the Verapadrug

undated

unknown artist

The Prospect of the Town of Dumblane

John Warwick Smith, 1749–1831, British

A View of St. James's Park, taken near the Stable Yard

unknown artist

A View of the Orangerie in Lord Burlington's Garden at Chiswick

George Bickham the Younger, ca. 1706–1771, British

A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire

unknown artist

The Prospect of the Town of Dunkeld

unknown artist

A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick

unknown artist

A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

Francis Towne, 1740–1816, British

Craig yr Aderyn, near Llanfihangel-y-Pennant

1777

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745