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Period 18th century
Remove constraint Period: 18th centuryWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- A Great Tree
- ca. 1796
2
- Viscountess Bulkeley as Hebe
- undated
3
- Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
- undated
4
- Howard Visiting a Prison
- between 1790 and 1794
5
- Children with a Goat and a Dog
- undated
6
- Mother and Son
- undated
7
- Two Lovers (Man Awakening from a Dream)
- undated
8
- Prostrate Woman
- undated
9
- Pamela
- undated
10
- Iphigenia Kneeling over an Altar
- undated
11
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
12
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
13
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
19
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
20
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
21
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
24
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
25
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
26
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
27
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
28
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
29
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
30
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
31
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
34
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
35
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
36
- Woman with a Blue Smock
- undated
37
- A Fisherwoman, Hands under Apron
- undated
38
- Couple in a Farmyard
- 1782
39
- Brighton Town and Church
- ca. 1780
40
- Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
- undated
41
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
42
- The Cheesecake House, Hyde Park
- ca. 1795
43
- A Young Woman in a Blue Dress
- undated
44
- A Mother and Two Children
- 1786
45
- London Cries: Last Dying Speech and Confession
- ca. 1759
46
- Italianate Landscape with Travellers no. 2
- ca. 1760
47
- Italianate Landscape with Travelers, No. 1
- ca. 1765
48
- London Cries: A Lace Seller
- ca. 1759
49
- View in Wales
- undated
50
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
51
- Portrait of a Lady
- undated
52
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
53
- London Cries: "Black Heart Cherries..."
- ca. 1759
54
- London Cries: A Fishmonger
- ca. 1759
55
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
56
- Adelaide
- between 1785 and 1786
57
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
58
- Conway Castle
- 1789
59
- Hannah Snell - From the Life (in Male Dress)
- undated
60
- Design for a Ceiling Decoration
- 1723
61
- Illustration to Homer's Iliad
- 1723
62
- London Cries: Flowers
- undated
63
- Portrait of a Lady at a Drawing Table
- undated
64
- Ariadne
- undated
65
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
66
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
67
- Portrait of a Lady
- 1783
68
- London Cries: A Muffin Man
- ca. 1759
69
- London Cries: "Do You Want any Spoons..."
- ca. 1759
70
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
71
- London Cries: Shoe Cleaner
- ca. 1759
72
- London Cries: Fun upon Fun
- 1759
73
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
74
- The Theatre-Goers
- undated
75
- The Rustic Lover
- 1786
76
- Bucks of the First Head
- ca. 1785
77
- Young Lady with Brown Hair in a Mauve Dress
- ca. 1795
78
- The Love Letter
- ca. 1790
79
- Country House
- ca. 1797
80
- The New Walk, York
- ca. 1798
81
- Valle Crucis Abbey, near Llangollen
- between 1798 and 1801
82
- Guisborough Priory
- undated
83
- A Worn Out Debauchée
- between 1790 and 1795
84
- Haweswater, Westmoreland
- ca. 1795
85
- Miss Barbara Hill (d. 1838)
- ca. 1777
86
- Study of a Female Bust
- ca. 1769
87
- A Young Lady Seated Wearing a White Dress
- 1788
88
- Wooded Landscape with Figures outside a Cottage Door
- between 1775 and 1780
89
- Lady Percy Watching the Sleeping Hotspur
- 1781
90
- Prospero and Miranda
- 1781
91
- Imogen in the Cave, 'Cymbeline', Act III, Scene VI
- 1782
92
- Ophelia's Death
- ca. 1781
93
- Lady Macbeth, Sleepwalking
- 1781
94
- Portrait of a Lady
- undated
95
- Open Landscape with Figures, Cows and Cottage
- between 1785 and 1788
96
- Lear and Cordelia
- ca. 1781
97
- Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
- 1781
98
- Ferdinand and Ariel
- ca. 1781
99
- Between Chiswick and Brentford
- 1774
100
- Comforts of Bath: The Music Master
- 1798