Period: 18th century / Work Type: watercolor / Subject Terms: pointing - YCBA Collections Search Search Results

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Period 18th century

Work Type watercolor

Subject Terms pointing

William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 39, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

unknown artist The Royal Sport, Pit Ticket

unknown artist, eighteenth century

The Royal Sport, Pit Ticket

undated

Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

Jacob More, 1740–1793, British

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

1783

William Alexander City of Lin Tsin, Shantung, with a View of the Grand Canal

William Alexander, 1767–1816, British

City of Lin Tsin, Shantung, with a View of the Grand Canal

1795

James Northcote Macbeth and the Witches

James Northcote, 1746–1831, British

Macbeth and the Witches

between 1777 and 1778

Mary Hoare Prospero and Miranda

Mary Hoare, 1744–1820, British

Prospero and Miranda

1781

John Flaxman The Creation of the Heavens

John Flaxman, 1755–1826, British

The Creation of the Heavens

ca. 1790

Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Mary Hoare, 1744–1820, British

The Three Witches from Macbeth: Though the Bark Cannot be Lost..

ca. 1781

John Collet In Place

John Collet, ca. 1725–1780, British

In Place

1769