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Period 18th century

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Work Type watercolor

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Subject Terms man

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Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851, British
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851, British
A Great Tree
ca. 1796
George Romney River God
George Romney, 1734–1802, British
River God
undated
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802, British
Two Lovers (Man Awakening from a Dream)
undated
George Romney Classical Male Nude
George Romney, 1734–1802, British
Classical Male Nude
undated
George Romney Ladies in Waiting
George Romney, 1734–1802, British
Ladies in Waiting
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802, British
Duke of Dorset (So-called)
undated
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802, British
Lord Salisbury, Standing by a Pillar
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802, British
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
Samuel Finney Portrait of a Gentleman
Samuel Finney, 1718–1798, British
Portrait of a Gentleman
undated
Louis Philippe Boitard A Man Asleep with Hands Crossed in a Chair
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
Louis Philippe Boitard Man Asleep in a Long Blue Coat
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
Louis Philippe Boitard Man Asleep with his Mouth Wide Open and Hands Crossed
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809, British
Couple in a Farmyard
1782
Sir James Thornhill Design for a portrait of an architect or a painter
Sir James Thornhill, 1675–1734, British
Design for a portrait of an architect or a painter
undated
Paul Sandby Landscape with beech trees and man driving cattle and sheep
style of Paul Sandby, 1731–1809, British
Landscape with beech trees and man driving cattle and sheep
undated
James Moore The Artist Sketching Mlle. de St. Legier as a Shepherdess
James Moore, 1762–1799, British
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
Louis Philippe Boitard Man Asleep in a Bunk on Board a Ship
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Bunk on Board a Ship
undated
John Vanderbank Lady and Cockatoo
John Vanderbank, 1694–1739, British
Lady and Cockatoo
undated
Julius Tidd A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
John Vanderbank Conversation Piece
John Vanderbank, 1694–1739, British
Conversation Piece
undated
Samuel Wale Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
Samuel Wale, 1721–1786, British
Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804, British
Wooded Landscape with Figures Round a Cooking Pot
1793
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817, British
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817, British
The Cheesecake House, Hyde Park
ca. 1795
Louis Philippe Boitard Man in Ragged Clothes Seated with Right Arm Over Another Chair
Louis Philippe Boitard, active 1734–1760
Man in Ragged Clothes Seated with Right Arm Over Another Chair
undated
Louis Philippe Boitard Simon Eady of Northhampton, Opener of the Gospel
Louis Philippe Boitard, active 1734–1760
Simon Eady of Northhampton, Opener of the Gospel
undated
Gangaram Chintaman Tambat Jeytie Lifting Weights
Gangaram Chintaman Tambat, active 1790s, Indian
Jeytie Lifting Weights
undated
William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg
William Pars, 1742–1782, British
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809, British
London Cries: Last Dying Speech and Confession
ca. 1759
Paul Sandby Trees, with a Man Crossing a Footbridge
Paul Sandby, 1731–1809, British
Trees, with a Man Crossing a Footbridge
undated
Michael "Angelo" Rooker Almshouses in St. Cuthbert's Churchyard, Wells
Michael "Angelo" Rooker, 1746–1801, British
Almshouses in St. Cuthbert's Churchyard, Wells
undated
Paul Sandby Italianate Landscape with Travelers, No. 1
Paul Sandby, 1731–1809, British
Italianate Landscape with Travelers, No. 1
ca. 1765
Paul Sandby London Cries: A Tinker and His Wife
Paul Sandby, 1731–1809, British
London Cries: A Tinker and His Wife
ca. 1759
Sir James Thornhill Portrait of a Man Wearing a Full-Bottomed Wig
Attributed to Sir James Thornhill, 1675–1734, British
Portrait of a Man Wearing a Full-Bottomed Wig
undated
unknown artist Unidentified Sitter
unknown artist, eighteenth century
Unidentified Sitter
undated
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809, British
View in Wales
undated
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793, British
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
James Scouler Portrait of a Gentleman
James Scouler, 1741–1812, British
Portrait of a Gentleman
1796
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809, British
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: A Man with a Basket (Man Selling Pots and Pans)
Paul Sandby, 1731–1809, British
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
Thomas Hearne Half Timbered and Thatched Shack
Thomas Hearne, 1744–1817, British
Half Timbered and Thatched Shack
1798
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723, British
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
James Bruce Man Playing a Harp
James Bruce, 1730–1794, British
Man Playing a Harp
undated
Richard Westall Rosebud, or the Judgement of Paris
Richard Westall, 1765–1836, British
Rosebud, or the Judgement of Paris
1791
Paul Sandby Conway Castle
Paul Sandby, 1731–1809, British
Conway Castle
1789
Louis Philippe Boitard Portrait of a Man with a Double Chin
Louis Philippe Boitard, active 1734–1760
Portrait of a Man with a Double Chin
undated
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723, British
Illustration to Homer's Iliad
1723
Paul Sandby London Cries: All Fire and No Smoke
Paul Sandby, 1731–1809, British
London Cries: All Fire and No Smoke
ca. 1759
Paul Sandby London Cries: A Man Swaggering
Paul Sandby, 1731–1809, British
London Cries: A Man Swaggering
undated
Paul Sandby London Cries: A Man with a Bottle
Paul Sandby, 1731–1809, British
London Cries: A Man with a Bottle
ca. 1759
William Alexander A Raree Show
William Alexander, 1767–1816, British
A Raree Show
between 1792 and 1793
Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'
Alexander Runciman, 1736–1785, British
Celadon and Amelia from Thomson's 'The Seasons'
undated
Paul Sandby Landscape with a man playing a pipe under an old tree
style of Paul Sandby, 1731–1809, British
Landscape with a man playing a pipe under an old tree
undated
James Northcote Macbeth and the Witches
James Northcote, 1746–1831, British
Macbeth and the Witches
between 1777 and 1778
Ozias Humphry Portrait of a Gentleman
Ozias Humphry, 1742–1810, British, active in Italy (1773–77) and India (1785–87)
Portrait of a Gentleman
undated
unknown artist Hawkstone Hall, Shropshire
unknown artist
Hawkstone Hall, Shropshire
ca. 1790
Paul Sandby London Cries: A Muffin Man
Paul Sandby, 1731–1809, British
London Cries: A Muffin Man
ca. 1759